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Metin Erksan’s most controversial film, Kuyu/The Well (1968), considered as one of the classics of Turkish cinema, is a rural drama that focuses on a relationship, founded on male obsession and female resistance, which culminates in tragedy.
From an artistic point of view, the film is one of the masterpieces of Turkish cinema. The minimalist narrative works in repetitions; the characters of the two protagonists who are both loners in an indifferent world are developed meticulously and with special concern for human psychology; societal dynamics are sharp; and the characters that are offsprings of such a society very accurately drawn. The photography and the camera angles are beyond reproach. However, the film’s graphic display of male brute power is controversial.Read More »
