Hans-Michael Rehberg

Follow-up to Ulrich Seidl’s previous film, Rimini. It focuses on Richie Bravo’s brother, Ewald.

Quote:
Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini, and the conclusion of Ulrich Seidl’s diptych about the inescapability of the past and the pain of finding yourself.Read More »

Quote:
Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini, and the conclusion of Ulrich Seidl’s diptych about the inescapability of the past and the pain of finding yourself.Read More »

The death of his mother brings Richie Bravo back from his adopted home in Italy to his teenage bedroom in Lower Austria, where Charlton Heston is still flexing his biceps and Winnetou is still alive.Read More »

Quote:
In this “film essay,” director Alexander Kluge handles two different stories with both fictional and documentary aspects. In one story, a foster parent cares for a traumatized young girl who is now an orphan after witnessing a car crash that killed both her parents. After the foster-parent does the right thing and takes the girl to her aunt — her court-appointed guardian — she is shocked to see that neither the wealthy aunt nor her servants are very interested in the girl. An unusual decision follows. In the other story, a director goes blind in the middle of a film project but has to be kept on because of his contract. This situation leads to some philosophizing on the nature of film and art in the modern world. ~ Eleanor Mannikka, All Movie GuideRead More »