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One of the highlights of this year’s Edinburgh International Film Festival, it’s already apparent, is a retrospective of the work of Dominik Graf, a genre specialist mostly unknown outside his natve Germany, who has worked in both film and TV, specialising mainly in crime dramas. The program also includes other German crime TV shows selected by Graf to contextualise his work (including Sam Fuller’s Dead Pigeon on Beethoven Street and uber-rare work by Czech emigre Zbynek Brynych, best known otherwise for The Fifth Horseman is Fear).Read More »