German

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Wer war Edgar Allan? (Who Was Edgar Allan?). 1984. Austria/West Germany. Directed by Michael Haneke. With Paulus Manker, Rolf Hoppe. Based on the novel by noted Austrian writer Peter Rosei, who draws on Poe’s themes of doubling, shadowing, and the uncanny, this atmospheric mystery, set in Venice over four distinct seasons, follows a German art student suffering from some unnamed illness, existential or otherwise. He is befriended by a shady and secretive German American gentleman, “Edgar Allan,” who seems intent on driving him mad by dogging his every move. Haneke’s Venice is a figment of the (paranoid) imagination, where strange characters make unwanted intrusions and clues are laid out like pieces of an incomplete jigsaw puzzle. In German; 83 minRead More »

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“24 Realities per Second” portrays Michael Haneke’s work and his view of cinema.

Nina Kusturica and Eva Testor accompanied and observed Michael Haneke over a period of two and a half years during his work. Location scouts, film premieres, public appearances, discussions with audiences, radio interviews, on set, editing rooms. The rare conversations occur almost incidentally in cars, trains and planes. The objective of the film is the precise observation in different situations, out of which emerges an obsessed filmmaker. The thoughts of a man become apparent through his actions and the nature of his activity.Read More »

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Described as an answer to Fassbinder’s The Marriage of Maria Braun, Fraulein tells the story of a German woman and a former French prisoner of war living in 1950s Germany. Instead of playing a role in rebuilding her country, Haneke’s heroine remains preoccupied with her personal affairs. Shot predominantly in black and white (with a color sequence added toward the end), Fraulein asserts Haneke’s place alongside the masters of the New German Cinema.Read More »

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A four man US fireteam on patrol seizes a passing young vietnamnese girl and continue to torture, rape and kill her. Only one soldier refuses to take part in it and reports this incident to his superior, who dismisses it as simple wartime incident. As a consequence for his report, the soldier has to fear for his life. Later, the perpetrators are convicted, although subsequent appeals reduce their sentences significantly.
The plot takes place in a bavarian forest and reenacts a real war crime that happened in the vietnam war. The soldiers wear US uniforms, have authentic names but speak with a pronounced bavarian accent – a conscious directing decision known as Brechtian distancing effect.Read More »

Dan Pavlides, All Movie Guide wrote:
Historian, author, and movie critic Lotte H. Eisner is the subject of this documentary. She recalls her early childhood in Germany and her association with such legendary directors as F.W. Murnau and Fritz Lang. Leaving Germany for Paris in 1933, her anticipation of WW II saw her relocating to the South of France. Eisner gives her considerable and insightful opinions on classic German Expressionist Films, as several of her admirers drop by during the interview conducted by director Sohrab Shadid-Saless.Read More »

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Made for Bavarian TV in 1983, this documentary traces the life and films of the most popular female star of the late Weimar cinema, Lilian Harvey. From the very beginnings in some films by Richard Eichberg to her eminent stardom together with Willy Fritsch in classics like “Der Kongress tanzt”, her subsequent time in Hollywood and her return to Germany because of her love for director Paul Martin, to her escape from the nazis and her later life, the film gives a fine portrait of the actress and the big changes in the German film industry of the 20s and 30s.Read More »

In a strict Prussian boarding school for girls, sensitive student Manuela von Meinhardis develops a forbidden love to one of her teachers, the compassionate Elisabeth von Bernburg.Read More »

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If you are moved by the death of a parakeet at the beginning of The Elementary Particles (Elementarteilchen), you are in for a bumpy ride, as all of humanity as we know it will be wiped out by the film’s end in a brief written epilogue. Of course, those who have read the novel (Les particules élémentaires in its original French, Atomised in its UK version) saw this coming, but for those who are unfamiliar with Michel Houellebecq’s cult hit that explosively mixes sex, death and science to annihilate mankind – and blames the flower power generation for it in the process – this might come as something of a shock.Read More »

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Paul and Paula have had bad experiences with love: Paul is financially well off but has lost all affection for his wife, and Paula leads a troublesome life raising two children on her own. They meet and discover a strong passion for each other. Life seems like a dream when they’re together – but their short flights from the burdens of reality are once and again interrupted by Paul’s ties to family and career.Read More »