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Sombre, as Grandrieux’s first feature film, establishes some of the important characteristics of his art: An insistence on vision, with characters beyond psychologies, driven by biology or metaphysical forces.
Love (a mix of brotherly and sexual Love, a true awareness of the other, a communion) mostly overrules all, and its discovery by Jean creates waves that emanate in every shot, every cut and every sound in the rest of Sombre.Read More »