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Shot during the cane workers’ strikes in 1975, this first authentically West Indian film bluntly depicts Guadeloupe as it was, thirty years after departmentalization.Read More »

Quote:
Shot during the cane workers’ strikes in 1975, this first authentically West Indian film bluntly depicts Guadeloupe as it was, thirty years after departmentalization.Read More »
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Recordings of extracts from the Aimé Césaire play : in a long, pain-racked poem declaimed before his mother, the rebel cries his revolt against the enslavement of his people.Read More »

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The Mauritanian director Med Hondo’s bitterly insightful, artistically freewheeling 1970 film begins with an antic sketch of the European colonization that subjugated and impoverished Africans. It depicts, with sardonic fury, the adventures of an unnamed young African man (Robert Liensol) who arrives in Paris and, with naïve optimism, seeks his fortune among his colonizers. He considers himself at home in France, but soon discovers the extent of his exclusion from French society. Facing blatant discrimination in employment and housing, he and other African workers organize a union, to little effect; seeking help from African officials in Paris, he finds them utterly corrupt and unsympathetic.Read More »