Fujiko Yamamoto

Remake of Naruse Mikio’s 1943 film “The Song Lantern.Read More »

The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter.Read More »

Synopsis:
A sumptuous period melodrama; a story of aristocratic star-crossed love by one of Mizoguchi’s favorite authors, Matsutaro Kawaguchi (Ugetsu).Read More »

This is the second of three major film adaptation of Junichiro Tanizaki’s famous novel from the 1940s, the first one being the 1950 version directed by Yutaka Abe, the latter one being Kon Ichikawa’s The Makioka Sisters from 1983. Shima’s version stars Machiko Kyo, Fujiko Yamamoto, Junko Kano and Yukiko Todoroki in the roles of the sisters. The novel (and the films) follow the lives of the wealthy Makioka family of Osaka from the autumn of 1936 to April 1941, focusing on the family’s attempts to find a husband for the third sister, Yukiko. It depicts the decline of the family’s upper-middle-class, suburban lifestyle as the specter of World War II and Allied Occupation hangs over the novel.Read More »

Kosaka drops to death while ice climbing with his friend Uozu to see the sunrise on the New Year’s Day. The investigators try to find the cause of the death, then discover that the cut rope was made in the factory for which Uozu’s brother works.Read More »

Period action/melodrama. In 1840, retainers of the Tokugawa Shoganate harshly compete with each other in deciding the successor of the 14th Shogun Iemochi. Among them is Lord Nakano, known as the Baron of Mukōjima. To establish his grandson, Inuchiyo, as the most promising candidate, he makes efforts to get the official permission from Ienari, a retired Shogun, but who is still seizing power in place of sickly Iemochi. For Nakano, the most reliable underling is his daughter-in-law, Lady Omiyo, who has long been gaining Ienari’s favor. But not only because Ienari has problems in his health for his age, but because Omiyo’s servant, Tomi, is indeed a spy sent by Shimada Matazaemon, the rival of Nakano, he cannot advance the scario as he originally planned. Read More »

In a rural district of Tokyo, the owner of a farm is abandoned by his two daughters who are attracted to the life of the big city.Read More »

Ichikawa’s 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a sanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa’s film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead Ichikawa shows the contest of wills that transpires as two geisha, Oko (Chikage Awashima) and Kiyoha (Fujiko Yamamoto) fight for the top spot in Nihonbashi, the pinnacle ot the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi (Ryuji Shinagawa), is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.Read More »

This is the second of three major film adaptation of Junichiro Tanizaki’s famous novel from the 1940s, the first one being the 1950 version directed by Yutaka Abe, the latter one being Kon Ichikawa’s The Makioka Sisters from 1983. Shima’s version stars Machiko Kyo, Fujiko Yamamoto, Junko Kano and Yukiko Todoroki in the roles of the sisters. The novel (and the films) follow the lives of the wealthy Makioka family of Osaka from the autumn of 1936 to April 1941, focusing on the family’s attempts to find a husband for the third sister, Yukiko. It depicts the decline of the family’s upper-middle-class, suburban lifestyle as the specter of World War II and Allied Occupation hangs over the novel.Read More »