French

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A distillation not of Jacques Tati per se, but of communal spectacle and creation — cinema. The circus is the setting, abstracted into blank spotlights but with the audience always present, always as much a part of the show as the jugglers, acrobats, contortionists, drummers, and assorted pratfall artisans. At the center is Tati, silver-haired in a turtleneck, miming taking punches in the ring, riding a horse, directing traffic, swinging a tennis racket in slow-mo. Playtime and Traffic exhausted the French producers, so the auteur staged his swansong as a Swedish TV-special, a casual affair, a slender recording of dance-hall whimsy and a profound summarization of a man’s life and art.Read More »

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Memoire des Apparences is a highly unconventional, metafictional adaptation of Calderon de la Barca’s play Life is a Dream. Director Raul Ruiz combines the 17th-century Spanish drama, about a man raised in a prison who discovers he is his country’s rightful prince, with a modern-day story of Chilean political intrigue. During the violent, anti-Allende coup of the early 1970s, literature professor Ignaccio Vega is entrusted with memorizing a list of 15,000 resistance members. Read More »

Variety.com wrote:
Set in ’69, “A No-Hit, No-Run Summer” gets to first base, at least, with its modest tale of B-team squirts who play in old hockey jerseys but eventually hold their own against the well-named Aristocrats. Third feature by Quebecois helmer Francis Leclerc (“Girl at the Window”) is formulaic and insubstantial, but pleasant and occasionally more as it asserts the sandlot’s rejuvenating power for pint-sizers like 12-year-old Martin (Pier-Luc Funk), whose dad (Patrice Robitaille) takes up coaching duties for the summer. Movie is far milder than either version of “The Bad News Bears,” for better and worse; grosses will follow suit.Read More »

By chance, fifty-year old Thomas finds himself back in the little town of his childhood. While visiting his mother’s grave he faints and wakes up to find himself in the past. Thomas is 14 again, an adolescent who has kept all his adult experience and character. He meets up with his classmates, the girl with whom he was secretly in love, and above all his parents – his mother, so young and full of life; his father, who had disappeared back then, never to return. Thomas tries to find out the real reasons for his father’s departure. But can he relive his past without changing it?Read More »

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It was Rivette’s second feature, after the puzzling ‘Paris Nous Appartient,’ and eschewed the nouvelle vague in favour of something altogether more structured, indeed rigorously so. “This film is a work of imagination,” the opening caption informs us, “not a portrait of religious institutions, 18th century or other. It should be viewed from a double perspective; history and romance.”Read More »

A fiercely active Communard, Louise Michel is condemned for taking arms against Bismarck. Along with thousands of other revolutionaries, she is deported to New Caledonia, whilst, back in Paris, a young parliamentarian Georges Clemenceau campaigns for a truce with the Communards. During her exile, Louise Michel becomes a teacher and wins the admiration of the other deportees, inspiring them to rise up against the colonial order…Read More »

Lucien (Michel Serres) and Dubois (Claude Brasseur), together with their wives go on holiday at the sea in Deauville. But once the trouble starts: rented villa completely destroyed, their luggage sent by train is lost at sea, they meet patron Lucien (Michael Galabryu) and constantly underfoot confused a fussy holidaymaker (Louis de Funes)Read More »

With Toute la mémoire du monde, Resnais is setting the basis of his cinematographic project about places of memory. Within 20 minutes, Resnais is surgically, methodically analyzing the national library of France. With an hyperactive camera, he’s sneaking, he’s smelling, he’s feeling this huge building.Read More »

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The intertwined lives of 2 women in 1970’s France, set against the progress of the women’s movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker – despite the contrast they remain friends and share in the various dramas of each others’ lives, in the process affirming their different female identities.Read More »