Plot :
Guillaume de Burlador is a private tutor who hits a low point sufficiently severe for him to
contemplate a somewhat theatrical suicide. Instead he is taken off by flying boat to a mad French colonial possession bedecked by mad servants and crazy decor. Three rather gorgeous women live there,and old Guillaume is a randy old stoat.Read More »
Frank, a man of action who worked his way up all by himself, dedicates his life to work. No matter the place or the circumstances, be it day or night, he’s on the phone, handling the cargo ships he charters for major companies. But when he has to deal with a crisis situation, Frank makes a brutal decision and gets fired. Profoundly shaken, betrayed by a system to which he gave his all, he has to progressively question himself to save the one connection that still matters to him: the bond he’s managed to maintain with his youngest daughter, Mathilde.Read More »
When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.Read More »
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The description of several fates, several desperate lives in an inhuman city. A city where no one really exists. It is probably the most depressing movie – french movie – of all time. Every detail, every shot, every dialogue shows us there is no future for the human being. All along this feature, the director – Bellon – gives the audience sequences of darkness, monotony, emptiness. Death in a near future. All kind of deaths. The score makes me think of a whisper, a song from a graveyard. I would say it’s a sort of documentary.Read More »
Born in Mauritania and raised in Mali, Abderrahmane Sissako received a scholarship to study film in Moscow, after graduating from school. To learn Russian, he was sent to Rostov on the Don river for an entire year. On the endless train ride from Moscow to Rostov, he met Baribanga, an Angolan student who was going to the same language school. That year, far from home, the two Africans became friends. Almost two decades later, Sissako decides to search for Baribanga. Rostov-Luanda tells two stories, the search for the long-lost friend, that leads to an encounter with present-day Angola.Read More »
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This wicked adaptation of the Octave Mirbeau novel is classic Luis Buñuel. Jeanne Moreau is Celestine, a beautiful Parisian domestic who, upon arrival at her new job at an estate in provincial 1930s France, entrenches herself in sexual hypocrisy and scandal with her philandering employer (Buñuel regular Michel Piccoli). Filmed in luxurious black-and-white Franscope, Diary of a Chambermaid is a raw-edged tangle of fetishism and murder—and a scathing look at the burgeoning French fascism of the era.Read More »
In his last film, legendary writer/artist/filmmaker Jean Cocteau portrays an 18th-century poet who travels through time on a quest for divine wisdom. In a mysterious wasteland, he meets several symbolic phantoms that bring about his death and resurrection. With an eclectic cast that includes Pablo Picasso, Jean-Pierre Leáud, Jean Marais and Yul Brynner, Testament of Orpheus (Le Testament de Orphée) brings full circle the journey Cocteau began in The Blood of a Poet, an exploration of the torturous relationship between the artist and his creations.Read More »
A horsewoman in search of a steed. Gracieuse, a farmer’s daughter, is disgusted at the way the horses she trained to the top levels of jumping are taken away from her. She meets the legendary trainer Franz Mann, who now manages a rich landowner’s estate, and with his help starts over in the world of dressage. But just as she feels she has finally found the right horse, she realizes that talent counts for nothing when facing the personal and high financial stakes of the game.Read More »
Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).Read More »