French

Synopsis
The very modest lawyer (Jean-Louis Trintignant) in this case of murder finds much more than he is looking for and then must decide what to do with the unwelcome information. He is defending a woman who is accused of killing her lover. It turns out that the lover was actually killed during a holdup, and was a member of a gang which did bullying favors for local politicians; and the trail doesn’t end there.

Un avocat est commis d’office pour défendre une prostituée chez qui a été découvert le cadavre d’un amant. L’avocat s’applique, face au mutisme de sa cliente, à faire toute la lumière sur l’affaire…Read More »

Au fond d’une zone industrielle à l’agonie, Mao, un patron musulman, possède une entreprise de réparation de palettes et un garage de poids-lourds. Il décide d’ouvrir une mosquée et désigne sans aucune concertation l’imam…

Rabah Ameur-Zaïmeche has a way of framing shots that can make an industrial landscape look like an art project. The dominant images in Dernier Maquis are of rows of carefully stacked red pallets towering in a truck yard located on the outskirts of Paris, where most of the film takes place. Under the direction of Ameur-Zaïmeche, these unaesthetic objects become fascinating to contemplate. Since his visual approach exhibits so strong a sense of control, it is fitting that he cast himself as the company boss. The yard workers call the boss “Mao,” as his leadership style feigns benevolence to keep them from organizing for better wages.Read More »

Quote:
Summer time. Two teenagers, a boy and a girl, have their first date in a park. Hesitant and shy at first, they soon discover each other, get closer as they wander, and end up falling in love. But as the sun goes down, it is time to separate… And a dark night begins.Read More »

From Rotten Tomatoes
Once upon a time, there were two children who had the same nanny: Azur, blonde and blue-eyed, son of the lord of the castle, and Asmar, dark-skinned and black-eyed, the nurse’s child. Brought up like brothers, the children are suddenly torn apart. But Azur, haunted by the legend of the Djinn the nanny used to tell him, intends to find it in lands beyond the seas. When they grow up, the two foster brothers each go separate ways in search of the fairy. Daring rivals, they find magic lands in a medieval Maghreb, full of dangers and enchantments.Read More »

After ten years away, Jacques Pruez, an unmarried, 50-year-old, modestly successful actor, returns to his home village to comfort his dying mother. His father Yvan, a family barber who’s counting on his “successful” son to support him in his old age, refuses to believe that his wife is sick and insists that her doctors are killing her. She dies, and Jacques finds out that Yvan is not his real father. Besieged by memories of his childhood, the village and the past, Jacques wanders the streets at night, reliving the moments that set him apart from the rest….Read More »

In this testament to the special bond between a mother and her son adapted from French author Romain Gary’s loosely autobiographical novel of the same name, Charlotte Gainsbourg turns in an exuberant performance as Nina, Gary’s overbearing single mother, while Pierre Niney plays Gary as an adult. Hounding the boy at every turn – from his difficult childhood in Poland, to his adolescence in the South of France, to his World War II adventures as a Free French bombardier – Nina makes it clear that she expects her son to become a great writer, a war hero, a French ambassador, and a Knight of the Legion of Honour. Despite bursts of resistance and the obstacles imposed by anti-Semitism in both Poland and France, Gary is determined to realise his mother’s monumental aspirations…Read More »

“Charlotte et son Jules was made the year before Breathless and in many ways prefigures the arrival of that major film. Shot entirely in or from a single hotel room, it centres on Jules, played by Jean-Paul Belmondo who delivers a rapid-fire tirade about his girlfriend and their relationship when she turns up back in the apartment. The poverty of the production is indicated by the fact that the voice of the Belmondo character is that of Godard himself. But its machine gun dialogue and restless jump-cutting camera is almost an advance preview of the long sort of love scene between Michel and Patricia in Patricia’s tiny apartment in Breathless.”Read More »

In a small convent school in rural Quebec, Mother Augustine provides a musical education to young women no matter their socio-economic background. However, with the looming changes brought by Vatican II and Quebec’s Quiet Revolution, the school’s future is at peril.Read More »

After the death of her mother, 17-year-old Prudence finds herself living alone in her Paris apartment. Then she meets Maryline, a rebel of her own age, who introduces her to the thrills of motorcycle racing on the biker circuit at Rungis. Prudence’s newfound lease of freedom becomes complicated when she falls for a boy Franck who wastes no time in taking advantage of her naivety…Read More »