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Hotel manicurist Regi Allen is a cynical gold-digger who meets her match in Theodore ‘Ted’ Drew III, the penniless scion of a once-wealthy family who is himself about to marry for money. After a date with Ted, she lets him sleep on her couch when he’s too drunk to get any further. But what is she to think when he wants to extend the arrangement?Read More »
Frank S. Nugent wrote:
THE SCREEN; At the Paramount
Carole Lombard and Fred MacMurray skip through the formular devices of “Swing High, Swing Low” (née “Burlesque”) with their usual ease at the Paramount, raising a routine story to a routine-plus picture. The plus is extremely small, sometimes being almost invisible. We recall being impressed by the photography of the Panama locks, by a shot of Mr. MacMurray with a beard, by Charles Butterworth’s tropical wardrobe of overcoat and muffler. The rest is so much surplusage: a thin excuse for a film that requires an hour and thirty-five minutes to trace the rise, the fall and the potential ascendancy of a trumpet king.Read More »
After WW2, an American skipper returns to Singapore to retrieve his hidden stash of pearls and finds his lost fiancee who now has amnesia.Read More »
A man tries to rise in his company by letting its executives use his apartment for trysts, but complications and a romance of his own ensue.Read More »
Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this epitome of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured.Read More »
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If you believe all-American Fred MacMurray as an Oxford don, you’ll probably swallow the rest of Above Suspicion. Newly married to Joan Crawford, MacMurray goes on a honeymoon in prewar Germany. Actually it’s more business than pleasure: they are secret agents for the British, attempting to smuggle back information about a new superweapon being developed by the Nazis. Evil, mean, cruel and also wicked German officer Basil Rathbone imprisons and tortures Crawford (though she still looks like a million bucks), but McMurray comes to the rescue, paving the way for a suspenseful race-to-the-border climax. Read More »
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In the 1800s, American inventor Robert Fulton (Richard Greene) travels from Europe to New York intent on building a steamboat that will revolutionize river travel between waterfront boroughs, but instead gets a rude welcome from a vicious shipyard boss at a local tavern owned by salty beauty Pat O’Day (Alice Faye). Pat takes a shine to Fulton and offers to help him out, but her jealous boyfriend — sailor Charles Brownne (Fred MacMurray) — fears the new vessel will put him out of work.Read More »
This hilarious screwball comedy gave Fred MacMurray a chance to show his brilliant comedic chops as Peter, a radio personality who is told he’s just inherited two million dollars by a gold-digging secretary (Eleanor Parker as Christy) who is determined to snag him for herself. Though he never quite believes she’s telling the truth about his inheritance, circumstances continue to bring Peter together with Christy, infuriating both his fiancée, June (Kay Buckley), and his pal, Dr. Cook (Richard Carlson), who secretly loves June himself. It’s not long before Christy and Dr. Cook join forces and cook up some shenanigans to help them win the lovers they want.Read More »
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Just before Christmas, Lee Leander is caught shoplifting. It is her third offense. She is prosecuted by John Sargent. He postpones the trial because it is hard to get a conviction at Christmas time. But he feels sorry for her and arranges for her bail, and ends up taking her home to his mother for Christmas. Surrounded by a loving family (in stark contrast to Lee’s own family background) they fall in love. This creates a new problem: how do they handle the upcoming trial?Read More »