Frantisek Husák

Director Jaroslav Papoušek’s earlier tragicomedy Nejkrásnější věk (The Most Beautiful Age, 1968), set in a sculpture studio, was very much in the mould of a free-thinking, free-speaking Czechoslovak New Wave film. A year later, he embarked upon the folk comedy Ecce homo Homolka (1969). Following the departure into exile of directors Miloš Forman and director-screenwriter Ivan Passer, Papoušek was the last member of this strongly bonded trio to remain behind. During the 1960s, the three men brought to the screen a number of highly successful film projects.Read More »

Quote:
A strange, beautiful and critically-acclaimed film by Gyula Gazdag, A Hungarian Fairy Tale begins at a performance of Mozart’s The Magic Flute where a beautiful young woman meets a handsome stranger and, transported by the music, they share one night of love. The son born of this magic night is raised by his mother but at the age of three, must be given a father’s name, even a fictitious one, according to Hungarian law. Years later, the engaging Andris sets out to find his “father” as his “father” begins a separate journey.Read More »