Franco Citti

  • Sergio Citti – Il minestrone (1981)

    1981-1990ComedyDramaItalySergio Citti

    Reviews:
    1. A little forgotten masterpiece. This surreal comedy is one of those rare examples where the tragic and the hilarious are inseparable. Three homeless chaps from Rome spend their time scavenging rubbish or cheating local restaurants in order to secure their daily food. They accidentally end up in the Italian countryside where they get involved in a series of paradoxical situations, suffer delusions from extreme lack of nutrition while encountering bizarre people from every social stratum along the way. Despite the hilarious moments, there is understated pessimism and subtle misanthropy through out, the poor are barbaric and illiterate scum eager to kill you for a plate of soup, the rich are exploitative cruel bastards, the ‘saviour’ of the people is a deranged messiah-like figure in serum who leads them into a futile excursion up a mountain top. Great performance as usual by R.Benigni and nice score from N.Piovani. (orso-antinome from tumblr)Read More »

  • Pier Paolo Pasolini – Il Fiore delle mille e una notte AKA Arabian Nights (1974) (HD)

    Pier Paolo Pasolini1971-1980ArthouseFantasyItaly
    Il Fiore delle mille e una notte (1974)
    Il Fiore delle mille e una notte (1974)

    Quote:
    The concluding part of Pier Paolo Pasolini’s “Trilogy Of Life”, following The Decameron and The Canterbury Tales, Arabian Nights corrects many of the mistakes found in the latter, noticeably its ramshackle, uneven approach, and returns to the charming territory of the former. Indeed, the film is as good as The Decameron, if not better, and is generally considered to be the trilogies crowning moment and one of Pasolini’s finest films (critic Tony Rayns recently included it amongst his choices for Sight and Sound’s 2002 Top Ten Critics’ Poll).Read More »

  • Paolo Heusch & Brunello Rondi – Una vita violenta AKA A Violent Life (1962)

    Paolo Heusch1961-1970ArthouseBrunello RondiDramaItaly

    Based on Pier Paolo Pasolini’s second novel, A Violent Life (Una Vita Violenta) tells the story of a group of kids who live in one of the poorest and most disreputable neighborhoods in Rome. The story is set at the end of WWII. Thomas lives at the expense of others, like all his other companions, stealing and wasting time. But one day after a theft, Thomas gets arrested. When he comes out of prison he contracts tuberculosis, going through an inner struggle which changes his worldview. He begins to think about his future as a human being and vows to change his life. Hoping to become honest, Thomas gets engaged to the beautiful Irene and also decides to participate in political activity, joining the Communist Party. Then there is a sudden accident, and Thomas once again is faced with the most important challenge of his life.Read More »

  • Sergio Citti – Ostia (1970)

    1961-1970DramaItalyQueer Cinema(s)Sergio Citti

    Quote:
    Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera (Laurent Terzieff) and Rabbino (Franco Citti) were children when they pushed their drunk of a father out of a window for killing their pet sheep. When a girl is raped by her father, she is brought by young “rescuers” to the home of the two brothers who then watch their friends take advantage of her sexually. The brothers take her in, and the three live happy and celibate if not uneventful lives until the brother’s are sent to jail for stealing. When they emerge from prison, the two fight over the girl, whom they both have fallen in love with.Read More »

  • Valerio Zurlini – Seduto alla sua destra AKA Black Jesus (1968)

    1961-1970DramaItalyPoliticsValerio Zurlini

    Synopsis:
    A Congo rebel leader is captured and imprisoned with two white felons in this 81-minute feature containing religious symbolism and condemnation of colonial exploitation. Maurice Lalubi is thrown in jail with a soldier and an Italian thief. The trio endures torture at the hands of their captors, while a newly formed military regime decides the fate of the insurgent. The entire horror of the confrontation is seen through his eyes throughout Lalubi’s interrogation and torture. His imminent demise could turn him into a martyr and spell trouble for the new government dictator in this sometimes violent film.Read More »

Back to top button