A Jewish commando unit hunting Nazi war criminals tracks down the infamous Dr. Mengele in the jungle, and find that he is torturing nubile young virgins and performing horrible medical experiments on the locals. They prepare to battle their way past Mengele’s hordes of fanatic Nazi bodyguards in order to get to him.Read More »
A woman who works as employee in a fashion store has to care for her ill mother. At the same time she falls in love with a bohemian man.Read More »
Synopsis:
In this bizarre psychological thriller, a handsome young boy (John Mouder-Brown), who is marred by a strange birthmark on his face, tells a disturbing tale about how his family died. The family had been living for some time in a villa which was overgrown with flowering vines. Some of the vines even penetrate to the inside of the house. It seems that the boy’s father, (Fernando Rey), was part of a conspiracy to kill Hitler, and when the plot failed, he was forced to kill his family in order to prevent them from suffering horrible torture. Unable for some reason to kill himself, he escaped but became the victim of amnesia after a motorcycle accident. When a German governess came to stay, his father’s memory is revived. The boy travels to Germany in pursuit of the governess and learns that her family seeks vengeance from his father.Read More »
From nytimes.com
Brash, handsome, ruthless, reckless, ambitious, brilliant and corrupt: these are the thrillingly paper thin qualities undoubtedly possessed by Father John Flaherty in the novel upon which ”Monsignor” is based. As played by a more or less real person (Christopher Reeve), Father Flaherty cannot help but lose some of his two-dimensional luster.Read More »
Quote:
The first sound film version in Spanish of the great classic novel by Miguel de Cervantes Saavedra. A huge undertaking for Spanish cinema in its day, it was the longest film version of the novel up to that time, and very likely the most faithful, reverently following the book in its dialogue and order of episodes.Read More »
The Harvard Film Archive writes:
A rare science fiction foray from Altman, Quintet is set in a future ice age where people in an otherwise barren society gather with religious zeal to play a mysterious board game that is suddenly transformed into a life-or-death struggle by corrupt, power-hungry officials. With beautifully dystopian winter vistas filmed in the Arctic Circle and on the site of Montreal’s former Expo ’67 complex, the all-encompassing alternate reality of Quintet offers no comfort or solace. However, it is the hopeless darkness that makes any sign of humanity shockingly foreign and blindingly bright and perhaps helps explain why Altman later remarked, regarding the film’s poor critical response, “I have this great optimism that always translates into pessimism.”Read More »
Synopsis:
Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf agrees to free Xantos, accompanied by reluctant guerilla Basco, but a former business partner of Yolaf’s- John ‘The Wooden Hand’, has other ideas.Read More »
Synopsis:
After years in Mexican exile, Buñuel returned to his native Spain to make this dark account of corruption, which was immediately banned. A young nun, full of charity, kindness, and idealistic illusions about humanity, visits her uncle and tries to help some local peasants and beggars. But her altruism is greeted with ridicule and cruelty. Pinal gives a superb performance in the title role, and Buñuel’s clear-eyed wit is relentless in its depiction of human selfishness, ingratitude, and cynicism. The final beggars’ orgy – a black parody of the Last Supper, performed to the ethereal strains of Handel’s Messiah – is one of the director’s most memorably disturbing, funny, and brutal scenes. A masterpiece.
— Timeout.Read More »
Quote:
The guests arrive at the Senechal home for a dinner party, only to discover that the invitation had been given for the following evening. This miscommunication proves to be the first in a series of unusual events that invariably prevent the Thevenots (Paul Frankeur and Delphine Seyrig), the Senechals (Jean-Pierre Cassel and Stephane Audran), Don Rafael (Fernando Rey), and Florence (Bulle Ogier) from enjoying a meal together. An alternate plan to dine at a local bistro is foiled when a funeral wake for the restaurant owner is held in an adjacent back room. Read More »