Fanny Ardant

It describes the twilight of a sacred monster, Jules Maugin, an actor at the height of his glory. Under the famous personality, the big mouth, and the social shell, lies the intimate portrait of a man laid bare.Read More »

Synopsis
Ulrike Ottinger, then a young painter, lived in Paris in the 1960s. Now a film-maker, she looks back on that time, weaving memories of the Parisian life and the upheavals of the time into a cinematic poem with the city at its center.Read More »

Drama set on New Year’s Eve 1999 in a luxurious Swiss hotel where the lives of hotel workers and various guests get intertwined.Read More »

Paris, je t’aime is about the plurality of cinema in one mythic location: Paris, the City of Love. The filmmakers have five minutes each; the audience must weave a single narrative out of eighteen moments. The moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There’s a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.Read More »

The film discusses how to save a marriage when one is surrounded by heterosexual as well as homosexual people.

Adrien is a successful businessman but gay. To help clinch a deal with an ultra-straight banker, Alexandre, Adrien persuades his close friend, Eva, who runs a gay bistro, to pose as his wife at a dinner party. Alexandre is intrigued by Eva and pursues her on her home ground, leading others – including his wife – to think he must be secretly gay. Adrien meanwhile becomes jealous of Alexandre’s interest in Eva and does his best to prevent their nascent affair.Read More »

A couple of bourgeois intellectuals, Carlo and Silvia are married for twenty years. But they wearily live their relationship separately; while she lives in their original flat in Rome, he lives with a young lover, Lù from time to time in his house in the country while writing a book. He does not keep his relationship hidden from his wife and even accepts that Silvia may have lovers, among them in particular a young and violent neo-fascist. But this relationship rekindles Carlo’s jealousy and he becomes obsessed by knowing everything about her affairs and jealousy makes him blind. The film navigates between eroticism, decadence and perversion, in an obscure game with no wins or winners.Read More »

Plot Synopsis
This complex French tale eschews a single linear narrative in favor of two parallel storylines that move freely between past and present, reality and fantasy, to chronicle a scandalous love affair between a female author and a certain man who may or may not be a fabrication and the attempts of a screenwriter, wanting to use the story for a film, to learn the truth.Read More »

In Paris in the 1920s, a concert violinist meets and falls in love with a stylish young flapper who’s the wife of an old friend. Romaine instigates the affair with Marcel, and carries it forward even as her husband, Pierre, falls ill. She may even be purposely giving Pierre a treatment that adds to his misery. After Marcel returns from a concert tour and Romaine stoops to a new low in abandoning Pierre for an assignation, she reconsiders the affair and takes a drastic step. Three years later, Pierre pays Marcel a visit to demand the truth. Will the jealous and aggrieved Marcel manage a convincing performance?Read More »

Synopsis:
The many ways in which men are fascinated, compelled, and confused by their attraction to women are explored in this four part drama. As a filmmaker (John Malkovich) tries to sort out his plans for his next film, he considers several stories about women and the men who love them. Silvano (Kim Rossi Stuart) meets Carmen (Ines Sastre) and immediately asks her for a date, but despite his attraction, he can’t follow through on his feelings for her. The director spies a woman on the streets (Sophie Marceau) and follows her obsessively, but when he finally meets her, he’s disappointed, despite their mutual physical attraction. Read More »