Erland Josephson

Ann Fromm (Gundel Lindblom), age 34 and a lecturer in Slavic Languages, is married to Andreas (Per Myrberg), a 40-year-old architect. They introduce themselves to the TV audience as rich, happy, and uncomplicated. They are well-educated, well-mannered, and polite. Anna has had an affair with a common friend, Ellis (Erland Josephson), for 8 years. Their relationship is as conventional as a marriage. When Anna reveals her unfaithfulness to Andreas, their upper middle-class façade rupture. This event occurs in the same week as Martin Luther King is murdered.Read More »

“Liv Ullmann’s directorial debut is a beguiling and bittersweet tale about the yearning to be free… “

Synopsis:
Copenhagen at the end of the nineteenth century. Sofie is a beautiful and cultured 28-year-old who lives at home with her parents Frederikke and Semmy. They only want the best for her and worry that she will end up an old maid like her three aunts with whom they share the weekly Sabbath meal…Read More »

Plot Summary :
During the shooting of Andrei Tarkovsky’s last film Offret, cameraman Arne Carlsson taped around 50 hours of behind the scenes footage. Editor Michal Leszczylowski took the material and added scenes of previous interviews and interesting statements from the script of Offret and from Tarkovsky’s book ‘Sculpting in Time’. The result is a documentary that shows the way Tarkovksy worked: carefully building each scene. Shows why he did the things he did: his vision on film. And shows the emotion of the man Tarkovsky: his great disappointment when the camera breaks while shooting the house going up in flames.Read More »

All three documentaries is mainly shot in the home of Ingmar Bergman. This is the first time ever that a film maker has access to Ingmar Bergman in his home at the small island Fårö in the Baltic Sea. Bergman and the Cinema starts with Frenzy from 1944 and ends with Saraband from 2003. It contains unique behind-the-scenes material from Bergman’s private archive. Bergman and the Theatre is about some of Bergman’s 125 theatrical stagings and about his delight with the TV medium with successes as Scenes from a marriage. In Bergman and Fårö Island he talks about the childhood that shaped him. He shows where he shot his film Persona and fell in love – and he lists his worst demons!Read More »

Quote:
The opening scene is a single shot showing a family and their dog descending a hill, a large tree in the foreground, the distant countryside vanishing into the rolling fog. The camera pushes in imperceptibly, but continuously from the beginning. On the soundtrack, possibly diegetic, a sole woman sings. Meanwhile, the film credits scroll up over the scene. The family and dog, upon reaching the area in front of a hut, stop moving. Verdi’s Messa da Requiem fades in, overlapping for a brief moment with the woman singing. Once the foreground tree fully disappears, the scene freezes; the credits continue until the title appears, and the scene fades to black. The Requiem continues an audible transition to the second scene.Read More »

Quote:
Austrian Klaus Schneider, who later comes to be known as Erik Jan Hanussen is wounded during World War I. While recovering in the care of Dr. Emil Bettleheim (Erland Josephson), the Doctor discovers that Schneider possesses empathic powers. After the war, with one friend as his manager and another as his lover, Schneider changes his name and goes to Berlin to perform in halls and theaters as a hypnotist and mind reader. His purported powers bring him to the attention of the Nazis which nurtures his fame and power – as well as his own troubles – to grow.Read More »

Quote:
Scenes from a Marriage chronicles the many years of love and turmoil that bind Marianne (Liv Ullmann) and Johan (Erland Josephson), tracking their relationship as it progresses through a number of successive stages: matrimony, infidelity, divorce, and subsequent partnerships. Originally conceived as a five-hour, six-part television miniseries, the film is also presented in its three-hour theatrical cut. Shot on 16 mm in intense, intimate close-ups by cinematographer Sven Nykvist and featuring flawless performances by Ullmann and Josephson, Bergman’s emotional X-ray reveals the intense joys and pains of a complex bond.Read More »

Franca and her husband Antonio decide to sell a yellow rug, which was a gift of Franca’s stepfather. One day, while Antonio is out, a strange man rings, saying he wishes to buy the rug. But the man’s visit becomes a nightmare. He kidnaps Franca and says he killed his wife on that same yellow rug. Then Franca kills the man. But is that really all that has happened? And who was that strange man?Read More »

Quote:
With this spare chamber piece, set in an empty theater, Ingmar Bergman returned to his perennial theme of the permeability of life and art. Lingering after a rehearsal for August Strindberg’s A Dream Play (a touchstone for the filmmaker throughout his career), eminent director Henrik (Erland Josephson) enters into a frank and flirtatious conversation with his up-and-coming star, Anna (Lena Olin), leading him to recall his affair with Anna’s late mother, the self-destructive actress Rakel (Ingrid Thulin). The sharply written and impeccably performed After the Rehearsal, originally made for television, pares away all artifice to examine both the allure and the cost of a life in the theater.Read More »