Eleonora Rossi Drago

Quote:
A police officer meets a girl who is near to falling into the net of shady individuals. To prevent this, he invites her into the police station and tells her a story.Read More »

A dangerous love triangle develops among brothers and an immigrant woman hired to work the fields.Read More »

A team of Italian divers plan to attach high explosives to the hulls of Royal Navy ships at anchor in Gibraltar harbour.Read More »

Synopsis:
Etzel, the son of prosecutor Wolf Andergast, discovers that eight years ago his father condemned Léonard Maurizius to a life sentence in prison for the murder of his wife Elisabeth. The case made Andergast famous but Etzel knows that Maurizius’s conviction depended on the dubious testimony of a witness named Grégoire Waremme. Determined to find out the truth, Etzel tracks Waremme down to Zurich and discovers that the evidence he gave at the trial was not the whole truth…Read More »

A young composer is forced to work as a bar pianist. One night he gets hit by a car and is brought to a hospital. Severely injured he is injected with morphine. He becomes addicted.Read More »

At the height of World War II in fascist Italy, spoiled young Carlo Caremoli enjoys a beach vacation with his friends, oblivious to world events due to the protection provided by his father, Ettore. When Carlo meets older widow and mother Roberta Parmesan, he is smitten despite her reluctance to get involved. Carlo persists, and just as he and Roberta find happiness, the brutal reality of the war crashes in upon them.Read More »

“Camille 2000, with its cast of wealthy, weary sophisticates, clear plastic blow-up beds, outlandish metal dresses, refined S&M orgies, and Euro-psychedelic music, is often cited as the quintessential Metzger film. In fact, all that’s missing in the world of the doomed romantic Marguerite Gautier (Daniele Gaubert) is a gilded go-go cage. Fans of the 1935 Garbo version may be startled to see that Metzger’s update, underneath the wild period decor, is recognizably the same story, though Gaubert’s existential exhaustion may be less evident to an audience mesmerized by the parade of Italian haute couture and decor.” – Gary Morris, Bright Lights Film JournalRead More »