Dominique Reymond

The ten-year-old boy lived through the events of May 1968 hidden away at his grandparents’ house, surrounded by his uncles and great-grandmother, all bivouacked around a mysterious hideout. Adapted from the novel by Christophe Boltanski.Read More »

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This absorbing and intimate portrait of an ordinary town doctor is characteristic of Michel Deville’s cinema: sombre, slow moving, filled with humanity, and unashamedly naturalistic.

Albert Dupontel is captivating as the film’s central character, Dr Sachs, conveying not just the sense of ennui of a man who is locked into a life he no longer appreciates, but also his yearning for some kind of release, for the fulfilment that has so far eluded him. It is an underplayed, introspective, spiritual kind of film, focused exclusively on Sachs’ daily routine and his matter-of-fact interactions with his patients. The repetitive nature of the consultations, the drab colour scheme and the dreary locations do weigh the film down by they emphasise the sense of aching emptiness that is apparently pushing Sachs towards self-destruction.Read More »