Dick Powell

A chambermaid impersonates the fictional subject of a composite photo that won a beauty contest, with whom a famed aviator falls in love.Read More »

You Can’t Run Away From It is a musical remake of Frank Capra’s Oscar-winning classic It Happened One Night, complete with same-named characters and word-for-word scene reconstructions. It all begins when spoiled heiress Ellie Andrews (June Allyson) is literally kidnapped from the altar by her wealthy father (Charles Bickford). Escaping from her daddy’s yacht with only a handful of clothes and minimal finances, Ellie hops a bus, intending to travel cross-country to be reunited with her fortune-hunting husband. Reporter Peter Warne (Jack Lemmon), sensing a swell newspaper story, tags along.Read More »

Synopsis:
A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.Read More »

Two couples and a troupe of actors have an encounter with some mischievous fairies in the forest.Read More »

Dick Powell plays a murdered dog reincarnated as a rumpled gumshoe–nuff said! (well, not quite, because a lead role for Peggy Dow is always worth a mention! What a shame that she retired so early–she and Powell make an excellent pair…Read More »

Pitfall is a 1948 American film noir crime film directed by Andre DeToth. The film is based on the novel The Pitfall by Jay Dratler and stars Dick Powell, Lizabeth Scott, Jane Wyatt, and Raymond Burr.Read More »

Quote:
A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.Read More »

Plot: A depression-era tramp named Jubilo goes looking for the wife that left him. While on his journey, he meets an assortment of characters.Read More »

Quote:
A newspaper obit writer, impatient to move ahead at his job, wishes he could know the news before it happens. One night, Old Pop Benson grants him that power, in the form of the next day’s newspaper. At first it only gets him in trouble, but also brings him closer to the pretty girl in a fortune-telling routine. By the third tomorrow’s paper, he’s sure he’s got this whole future business in the bag — reporting advance scoops, picking sure winners at the race track — when he reads a very final headline: the news of his own death.Read More »