From The New york Times
Grimly austere barely begins to describe the atmosphere of dread that seeps through “Fear X” like a toxic mist. The movie’s ominous mood is deepened by Brian Eno and J. Peter Schwalm’s ambient background score, which haunts the movie with faraway groans and rattles.
If “Fear X,” the American filmmaking debut of the Danish director Nicolas Winding Refn, promises far more drama than it finally delivers, its glumness never abates. Whether contemplating the shabby cottages in a snow-swept Wisconsin suburb or scanning the flatlands of Montana, the camera, which stealthily follows the protagonist’s suspicious eyes wherever he looks, imagines danger crouching in every shadow.Read More »
