Daniel Hendler

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Spanning the fifties to the seventies, the film follows Humberto as he gets increasingly in over his head with multiple shady book-cooking schemes throughout South America, leading to an ultimate life-or-death decision.Read More »

José and Lucie live a beautiful marriage together, however, one day, boredom sets in and Lucie goes to see a therapist to save their marriage, while her husband goes to see Jean-Claude, their neighbour.Read More »

This film has been called the “Uruguayan ‘Slacker’”, a reference to Linklater’s movie. It has also been called a landmark film in a (low-key, small-scale) renaissance in Uruguayan cinema – a national cinema with a terrible memory problem (“El Dirigible”, from 1994, was routinely cited as “the first Uruguayan film”, which is very false, but understandable when one sees how little movies that country has managed to preserve).

Whatever its place in film history, it’s worth a watch, and rings very much true.Read More »