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Daniel, a young and arrogant Londoner, is bored to death in his life. His jewish grandmother asks him to go through Europe in order to find his grandfather’s grave. Not only will Daniel find his long lost grandfather’s trace, but he also will understand his deep-rooted jewish culture.Read More »
An English girl and an Indian elephant, born on the same day, share a common destiny.
Tusk review contributed by Steve Puchalski at Shock Cinema
Even though my print of this ultra-obscure Jodorowsky pic was in French with NO subtitles, you really don’t need a translation in order to get the gist of this self-termed “fable panique.” Set in turn of the century India, Jodorowsky drops most of his crazed mystical/religious/hallucinogenic stylings in order to tell a relatively straightforward story of a little girl, Elise, and a little elephant, Tusk, both of whom are born at the same time, and how their lives interconnect over the years (yawn). It begins on a good note, with Jodorowsky intercutting an elephant and a woman, each giving birth.Read More »
Synopsis: French secret agent Joss Baumont is sent to one of the African countries to kill their president Njala. However, at the last moment the political situation changes and the French secret service turns him in to the African authorities, and he is sentenced to a long-term imprisonment. After the daring escape he returns to France and deliberately informs his former chiefs of his presence promising them to kill Njala who has just arrived to the country with the official visit.Read More »
Quote: Robbe-Grillet turned once again to painting and literature for inspiration in his next film. In 1976 he had written a ‘picto-novel’, La Belle Captive, which reprinted some of Magrittes’s paintings including La Belle Captive itself. His 1983 film of the same name used paintings by both Magritte and Edouard Manet as a launching pad, each painting a ‘generation cell’ for the film’s ideas and narrative. Magritte’s Belle Captive is a great painting – formal, poetic, mysterious, it hints at all sorts of possibilities. The drawn curtains open onto a beach and sky. In the stony foreground there is an easel and a painting that visually links the world behind the curtain with the vista in the distance. It’s an audacious, inspiring work that’s a self-conscious reflection on the process of painting, but is also eerie and enigmatic, exuding a strange beauty.Read More »