Quote:
Jalsaghar opens to the shot of a large, ornate, candlelit chandelier, precariously swaying from the momentum of its cumbersome weight. It is a vestige of the fading grandeur of Huzur Biswambhar Roy’s (Chhabi Biswas) cherished jalsaghar – the elegant entertainment room where guests listen to the performance of traditional musicians amid eroded columns and peeling plaster. In early twentieth century India, it is also a symptom of Roy’s aristocratic obsolescence. Roy lounges on his empty rooftop terrace, overlooking his inherited property, now worthlessly reduced to marshland, staring idly into space, smoking his hookah pipe. Read More »
Chhabi Biswas
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Satyajit Ray – Jalsaghar AKA The Music Room (1958)
Satyajit Ray1951-1960DramaIndiaMusical -
Satyajit Ray – Kanchenjungha (1962)
1961-1970AsianClassicsIndiaSatyajit Ray

Summary
A wealthy family from Calcutta is on the last day of their vacation in Darjeeling, a hill station at the foot of Mount Kanchenjungha, the second highest peak of the Himalayas. Until now, they have been unable to catch a glimpse of the peak Kanchenjungha.The family members are dominated by the father, Indranath (Chhabi Biswas), an industrialist. He wants his daughter to marry a man of his choice and hopes that the man will propose if they are left together alone for some time.Read More » -
Satyajit Ray – Devi AKA The Goddess (1960)
1951-1960DramaIndiaSatyajit Ray
Synopsis
One of Satyajit Ray’s greatest early films, full of sensuality and ironic undertones, Devi is sufficiently critical of Hindu superstition that it was banned from foreign distribution until Nehru interceded. The plot concerns a wealthy and devout landowner in the 19th century who believes his daughter-in-law (Sharmila Tagore) is the reincarnation of the goddess Kali and convinces her that he’s right. With Soumitra Chatterji and Chhabi Biswas.
Jonathan Rosenbaum, Chicago ReaderRead More » -
Tapan Sinha – Khudito Pashan AKA The Hungry Stones (1960)
1951-1960DramaHorrorIndiaTapan Sinha

A Tax collector, who is inclined to the works of Ancient art and culture, came to a rural city for his job. But he chooses to live in a haunted house. Another Bengali person from the local village and his colleagues actually informed him about the danger of living in that fort. But the person is basically fascinated by that piece of ancient work. At night he started to meet a dancer and developed a relationship with her. Slowly they beginning to wait for each other and thus they entered in to a relationship. But he then slowly realizes that this is a supernatural phenomenon and that girl is nothing but a ghost. So he tries to stay away from the fort but he cannot resist it.Read More »
