Charles Vanel

  • Alberto Lattuada – La steppa (1962)

    Alberto Lattuada1961-1970ClassicsDramaItaly
    La steppa (1962)
    La steppa (1962)

    This is a lovely colorful adaptation of a novel by Anton Chekhov about the adventures of Jegoruska, an eight-year-old Russian boy, in a journey across the “steppe” or open plains of Russia on the en route from his home village to a market city where he is to go to school. It is in a way an allegorical trip which exposes him to some of the grimmest realities of life and some of its better ones. We get a social message as well, for example, the harsh conditions of the peasantry of 19th Century Russia. The director Alberto Lattuada often adapted Russian works or made films with Russian settings as in CUORE DI CANE, THE TEMPEST, and THE OVERCOAT. Most of the location scenes here were shot in Yugoslavia. The cast, which includes Charles Vanel as a priest and Marina Vlady as a countess, are uniformly good. Handsome young Daniele Spallone as the boy is marvelous.Read More »

  • Jean Dréville – La ferme du pendu (1945)

    1941-1950DramaFranceJean Dréville

    On a huge farm in the Vendee, the death of the patriarch leaves behind 3 brothers and a sister. The eldest brother refuses to consider dividing the property. In order to cement his hold on the family, he uses his authority to keep his siblings from marrying… La Ferme du pendu is a well-built, intense rural drama portraying the relentless determination of a man whose attachment to the land becomes a destructive obsession. It also serves as a near-documentary depiction of peasant life between the wars. Dréville keeps a certain distance from his characters and avoids all overblown drama. The cast is remarkable: Charles Vanel brings great intensity to the ensemble, but all the roles are perfectly portrayed. La Ferme du pendu was also the first credited film role for Bourvil, playing a small role as a shopkeeper which still allows him to sing his famous song, “Les Crayons” during the wedding scene.Read More »

  • Jean Dréville – Les affaires sont les affaires (1942)

    1941-1950DramaFranceJean Dréville

    Nouveau riche

    In spite of a very poor rating, this film is really a killer! By far Jean Dreville’s most important film as well as one of the best Charles Vanel’s performances. First intended for Raimu, it seems that Vanel was finally a better choice and anyway if you give this movie a chance, he’s gonna blow your mind. Lord! What an actor!Read More »

  • Jean-Daniel Simon – Ils AKA Them (1970)

    1961-1970FranceJean-Daniel SimonMysterySci-Fi

    An artist grows hateful of commercial demands on his questionable talents when his friend and artist commits suicide. He puts the blame for his friend’s death on an art critic and a shady art dealer. He is able to take out his frustrations on the pretentious critic at a party. When an elderly man moves into the boarding house, he brings a machine he invented that can make people realize their subconscious dreams…Read More »

  • François Leterrier – Un roi sans divertissement AKA A King Without Distraction (1963)

    1961-1970CrimeDramaFranceFrançois Leterrier

    In the nineteenth century, a young police captain, Langlois, is sent to a remote snow-covered village to investigate the disappearance of a girl. He is helped in his investigation by a local magistrate, who is convinced that the murderer is an ordinary man who has killed merely to relieve his boredom. When he finally confronts the killer, Langlois becomes aware of his own identity and discovers that he too has the impulse to take the lives of others…Read More »

  • Jean Grémillon – Le ciel est à vous AKA The Sky is Yours (1944)

    1941-1950ArthouseDramaFranceJean Grémillon

    Considering that it was made during a bleak and distressing period for France, Le Ciel est à vous is an astonishingly uplifting film with a message of unfettered hope for the future. It is not difficult to read director Jean Grémillon’s allegorical call to arms behind the rather anodyne tale about a Lindbergh-esque exploit, based on the real-life story of Andrée Dupeyron, the wife of a garage owner in Mont-de-Marsan. Released in February 1944, a few months before the Liberation, the film was enormously popular in France, galvanising the efforts of the Resistance and their covert supporters with its inspiring subtext. Although Jean Grémillon would go on to make three more notable films, Le Ciel est à vous was his last commercial success, the highpoint of his career before a rapid decline into obscurity.Read More »

  • Anatole Litvak – L’Équipage aka Flight into darkness (1935)

    1931-1940Anatole LitvakDramaFranceWar

    Filmmaker Anatole Litvak was still one year away from his “breakthrough” picture Mayerling when he co-wrote and directed L’Equipage (The Crew). Charles Vanel and Annabella star respectively as a daring WW I aviator and his loving but neglected wife. Ostracized by the other pilots because of his recklessness and standoffishness, Vanel nonetheless befriends a young flyboy (Jean-Pierre Aumont). It is therefore a great source of consternation for Aumont when he discovers that the woman with whom he’s fallen in love is none other than Vanel’s wife Annabella.Read More »

  • Costa-Gavras – Un homme de trop AKA Shock Troops (1967)

    Drama1961-1970Costa-GavrasFranceThriller


    Quote:
    Set in central France, the film follows French resistance fighters who press the battle on the Germans. Along the way, they break into a prison and release some German prisoners, but discover there may be a spy deliberately planted to flush them all out.Read More »

  • Henri-Georges Clouzot – La Vérité AKA The Truth (1960)

    1951-1960CrimeDramaFranceHenri-Georges Clouzot

    Plot summary from IMDB:
    Dominique Marceau is on trial for the murder of Gilbert Tellier. The counsels duel relentlessly, elaborating explanations for why the pretty, idle and fickle girl killed the talented and ambitious conductor freshly graduated from the conservatory. Was it passion, vengeance, desperation, an accident? The acquaintances of Gilbert testify, as well as Dominique’s former lovers, and her sister, Annie, the studious violin player engaged to Gilbert. The evidence they give progressively paints a more finely-shaded picture of the personalities of Dominique and Gilbert, and of their relationship, than the eloquent and convincing justifications of the counsels.Read More »

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