In 1955, Éric Rohmer published a series of articles entitled Le Celluloïd et le Marbre in the Cahiers du cinéma. He made a controversial and disenchanted survey of the 20th century, to better enhance by contrast the true modernity of cinema. Ten years later, Rohmer uses this principle in a film where he asks a number of contemporary artists to situate their art in relation to cinema.Read More »
