Beatrice Cordua

Quote:
Oblivion is of a man’s elderly paralytic literally unspeakable monologue of pain and fury as he finds himself caught in the isolation of dependency and sexual loss. His mind attempts to regain a certain equilibrium of desire as the women who he once loved surround his shrinking and shrieking mind with tantalising distain and pornographic voyeurism. They are both real and imaginary and appear, disappear, and suddenly come back to torment his memory. He is motionless and powerless to control even his fantasies, and in the confused, claustrophobic space the inner world of love and hate, death and life, loneliness and togetherness, and sex, all ambiguously collide as if they were torn out of time. His life becomes represented, not as remembrance, but of the traces and signs of an absence. Suggested by the book “Le Con D’Irène” by Louis Aragon.Read More »

‘The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl’s memories and thoughts, all surrounded, and directed towards her particular dilemma. This dilemma can be summarized as her basic inability to have relationships, especially sustained relationships, and particularly with men. This is the total of her statement and the film. The construction and flow of the film follows the way she thinks – it is her point of view that is followed in the film. So all things are the way she remembers and dwells on them, and which are important to her.’ – S.D.Read More »

A film that seeks a balance between feature, form and lighting essay, with autobiographical elements and echoes of the primeval fairy tale Beauty and the Beast. By the former Film Maker in Focus Stephen Dwoskin.

‘The Sun and the Moon, a film fairy tale, is about two women’s terrifying encounter with ‘Otherness’ in the form of a man, abject and monstrous, and for them to either to witness, accept or partake in his annihilation. All are caught in their own isolation and are fearful of the menace that has to be met. Read More »