Barbara Sukowa

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Pensioners Nina and Madeleine have hidden their deep and passionate love for many decades, but their bond is put to the test when they are suddenly unable to move freely between each other’s apartments.Read More »

Gainsbourg’s second film. Booed when screened out of competition in Cannes 1983, the film was a commercial and critical failure. It’s a fascinating mess of a film, apparently plagued by troubles during the on location shoot in Africa and it shows.

The film tells the story of Timar, a man who arrives in Gabon and falls in love with Adele. He is astonished at the conviction of an African for a murder which, in fact, had been committed by Adele.Read More »

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In this film, director Margarethe Von Trotta presents an inspiring and impressionistic portrait of the European socialist leader (1870 – 1919) who spent much time in prison as a result of her unpopular political views. In a performance which won her the Best Actress nod at the 1986 Cannes Film Festival, Barbara Sukowa reveals Rosa’s multifaceted personality which encompassed a love of nature, a sensitivity to suffering, an unflagging hatred of militarism, and a yearning for peace. After viewing this screen biography, many will no doubt agree with Helen Deutsch’s evaluation of Rosa Luxemburg: “She was too great to be considered ‘only a woman,’ even by her enemies.”Read More »

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Two sisters both fight for women’s rights. Juliane is a journalist and Marianne a terrorist. When Marianne is jailed, Juliane feels obligated to help her despite their differing views on how to live.Read More »

Europa (retitled Zentropa for the American release) is an hallucinatory Danish film set in postwar Germany. Jean-Marc Barr plays a young German who aspires for a job as a street conductor. But this is no mere “Joe Job;” Barr’s adventures on the line are designed as a metaphor for the emergence of the “New Europe” following the war. Barbara Sukowa costars as the daughter of a railroad magnate–and possible Nazi sympathizer. Many of the special-effects sequences are computer enhanced, but even the “live” scenes have an unsettling, surreal quality to them (colors changing abruptly, backgrounds shifting without warning, etc.) This experimental film left some viewers confused, which may be why English-language prints of Zentropa are narrated by Max Von Sydow.Read More »

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A reminder of the New School philosophy professor Hannah Arendt, and the controversy she provoked when she published her book Eichmann in Jerusalem: A Report on the Banality of Evil, might not be such a bad thing in an era in which so many feel so compelled to simplify societies’ most galling atrocities. Just as it’s more inviting to believe that various terrorist factions around the world are inhuman creatures concerned only with gobbling up America’s precious freedom, it’s also more comfortable to deny the architects and executioners of the Holocaust their humanity, as that distances everyone else from their own potential capacity for cruelty.Read More »