“Heinz Emigholz opens his latest, Slaughterhouses of Modernity, with a voice. This would have normally been shocking as Emigholz’s austere “Photography and Beyond” series of films lack any sort of voiceover, preferring the subjects (always architecture) to do the talking themselves. Oftentimes, this means an overview of an architect’s career (Perret in France and Algeria or Maillart’s Bridges) or an attempt to compare and contrast the details of certain works (Two Museums or Two Basilicas). Read More »