Anthony Quinn

  • Budd Boetticher – The Magnificent Matador (1955)

    1951-1960ActionBudd BoetticherDramaUSA

    Quote:
    Maureen O’Hara as the spoiled, rich, American preditor who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos (Anthony Quinn) who has inexplicably run away prior to a corrida that was to occasion the “alternativa” of a young, up-and-coming bullfighter (Manuel Rojas). The mystery is solved 94 minutes later, after Maureen has conquered Tony and Tony has saved Marueen’s life by caping a toro bravo with his plaid horse blanket.Read More »

  • David Lean – Lawrence of Arabia (1962)

    1961-1970David LeanEpicUSAWar
    David Lean - Lawrence of Arabia (1962)

    Lawrence, a lieutenant in the British Army, is asked by Colonel Brighton to moderately assess Faisal, their ally. Lawrence is impressed with Faisal and seeks his help to plan an attack on the enemy.Read More »

  • Ralph Nelson – Requiem for a Heavyweight (1962)

    1951-1960ClassicsDramaRalph NelsonUSA

    Adapted from Rod Serling’s celebrated teleplay, this fight-film classic stars Anthony Quinn as Mountain Rivera, a veteran heavyweight and near-champion who suddenly finds himself washed up in the only trade he knows—prizefighting. Yet, threatened by gangsters for welshing on a gambling debt, Mountain’s opportunistic manager, Maish Rennick (Jackie Gleason), schemes to get the ex-boxer into a phony wrestling match to make some quick money. Although he and his loyal trainer, Army (Mickey Rooney), oppose the degrading proposition, the disillusioned Mountain begins to wonder if he has any options left.Read More »

  • J. Lee Thompson – The Guns of Navarone (1961)

    1961-1970ActionJ. Lee ThompsonUSAWar

    Quote:
    There’s arguably been no historical event that’s captured the imagination of Hollywood and film goers alike quite like the second World War. It simply dominates the War genre; it seems there’s a dozen or more such films for every one about Vietnam, never mind those that have received far less attention than even that controversial conflict. Maybe it’s that a war-weary public demanded feel-good adventures, perhaps it was a culmination of technologies and increases in budgets that allowed for such wide-in-scope pictures with great attention to detail, but whatever the reason, there was plenty of room in theaters for both historically accurate and incredibly grand, sweeping War adventures alike.Read More »

  • Victor Saville – The Long Wait (1954)

    USA1951-1960Film NoirVictor Saville

    Anthony Quinn as an amnesiac who is wanted for murder? You got him in The Long Wait, and not one but four femmes noir. Three blondes and a brunette. All leggy and not backward in coming forward.

    This violent and brutal flick has Mickey Spillane all over it. The second Spillane novel to be filmed in Hollywood – after I, The Jury (1953) – The Long Wait takes pulp fiction down to a new level. A preposterous plot with more holes than a pair of fishnet nylons itches a perversely compelling pastiche of noir tropes: amnesia, corruption in high places, crooked cops, frame-ups, violence, duplicitous dames, and sex. But no Mike Hammer. Our protagonist is strictly an amateur. But that doesn’t make him any less able to dizzy the dames nor prove his innocence – even if the key to the frame is patently absurd.Read More »

  • Fred Zinnemann – Behold a Pale Horse (1964)

    Fred Zinnemann1961-1970DramaUSAWar

    Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.Read More »

  • Federico Fellini – La strada [+Commentary] (1954)

    1961-1970DramaFederico FelliniItalian Neo-RealismItaly

    Quote:
    There has never been a face quite like that of Giulietta Masina. Her husband, the legendary Federico Fellini, directs her as Gelsomina in La strada, the film that launched them both to international stardom. Gelsomina is sold by her mother into the employ of Zampanò (Anthony Quinn), a brutal strongman in a traveling circus. When Zampanò encounters an old rival in highwire artist the Fool (Richard Basehart), his fury is provoked to its breaking point. With La strada, Fellini left behind the familiar signposts of Italian neorealism for a poetic fable of love and cruelty, evoking brilliant performances and winning the hearts of audiences and critics worldwide. The Criterion Collection is proud to present La strada, winner of the Academy Award for Best Foreign Film in 1956.Read More »

  • Maxwell Shane – The Naked Street (1955)

    1951-1960Film NoirMaxwell ShaneUSA

    Plot
    Roselle Regalzyk (Anne Bancroft) is the naughty but nice little sister of mobster Phil “Regal” (Anthony Quinn). The unwed Roselle has managed to get herself pregnant by Nick Branda (Farley Granger), another convict who is soon on his way to the electric chair. Phil no sooner has Nick sprung so that he can marry Roselle, then Roselle miscarries, making the shotgun wedding unnecessaryRead More »

  • Mario Camerini – Ulisse AKA Ulysses (1954)

    1951-1960EpicFantasyItalyMario Camerini

    In the ancient Greek city of Ithaca, many impatiently await the return of their king Ulysses and his warriors from the Trojan War. Among these, Ulysses’ devoted wife Penelope and his grown son Telemachus. But Ulysses’ return is not eagerly awaited by everyone, especially by his enemies. They openly court Penelope and ask her to give her husband up for dead and re-marry one of the rowdy suitors who have taken up residence in her home since her husband’s departure.Read More »

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