Aliye Rona

  • Metin Erksan – Kuyu AKA The Well (1968)

    1961-1970DramaMetin ErksanTurkey

    Quote:
    Metin Erksan’s most controversial film, Kuyu/The Well (1968), considered as one of the classics of Turkish cinema, is a rural drama that focuses on a relationship, founded on male obsession and female resistance, which culminates in tragedy.

    From an artistic point of view, the film is one of the masterpieces of Turkish cinema. The minimalist narrative works in repetitions; the characters of the two protagonists who are both loners in an indifferent world are developed meticulously and with special concern for human psychology; societal dynamics are sharp; and the characters that are offsprings of such a society very accurately drawn. The photo­graphy and the camera angles are beyond reproach. However, the film’s graphic display of male brute power is controversial.Read More »

  • Metin Erksan – Yilanlarin öcü AKA Revenge of the Snakes (1962)

    Drama1961-1970Metin ErksanTurkey

    Imdb:
    An early realist classic from Turkey
    15 December 2004 | by Tilly Gokbudak (Roanoke, Va.)
    This is one of several Turkish films I have chosen to examine for a college thesis on Turkish cinema. I found a copy of it by chance from a CD store in the Aksaray part of Istanbul, the last time I was in Turkey. This is quite a film. The Revenge of the Snakes is a definitive precursor to the films of Yilmaz Guney, Zeki Okten, Ali Ozgenturk, and Serif Goren. It is a simple tale of a young couple and their little boy trying to live a suitable life in a small Anatolian village. This is a multi-layered film in which the antagonists include the mother in law, the new neighbors- with whom there is a serious land dispute, the town chiefs, and government officials who are oblivious to the needs and concerns of the average person. The snake is a symbol for the incoming troubles that will haunt the couple. The lead actor Fikret Hakan and the whole cast is brilliant. If you like Turkish films, this is one to see. It is perhaps as relevant to Turkish cinema as Rosellini’s “Open City” is to Italian cinema.Read More »

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