Alexander Korda

  • Alexander Korda – Marius (1931)

    1931-1940Alexander KordaComedyDramaFrance

    Synopsis wrote:
    César runs a bar along Marseilles’ port, assisted by his 23 year old son, Marius. Colorful characters abound: M. Panisse, an aging widower and prosperous sail maker; Honorine, a fishmonger with a sidewalk stall near the bar; her daughter, Fanny, who helps her sell cockles; and, various old salts. Friends since childhood, Fanny and Marius love each other, but Marius has a secret wanderlust: every ship’s whistle stirs a longing for foreign lands. When M. Panisse seeks Fanny’s hand in marriage and when a departing clipper needs a deckhand, Marius and Fanny must decide who and what they love most. César, with his generous, comic spirit, tries to guide his son.Read More »

  • Ludwig Berger & Michael Powell & Tim Whelan & Alexander Korda & Zoltan Korda & William Cameron Menzies – The Thief of Bagdad (1940)

    1931-1940AdventureAlexander KordaFantasyLudwig BergerMichael PowellTim WhelanUnited KingdomWilliam Cameron MenziesZoltan Korda

    In ancient Bagdad, the young prince Ahmad (John Justin) is betrayed, deposed, and imprisoned by his vizier Jaffar (Conrad Veidt), an evil and calculating man who is also a master of the Black Arts. But Ahmad is saved from prison, and certain execution, by Abu (Sabu), a young thief who has made his way in life by stealing whatever he needs. Together they escape from Bagdad and make their way to the port city of Basra, where they hope to sign to sail with the renowned sailor Sinbad. But Ahmad chances to catch a glimpse of the daughter (June Duprez) of the Sultan (Miles Malleson, who also co-wrote the screenplay), and falls hopelessly in love with her. Read More »

  • Alexander Korda – Rembrandt (1936)

    1931-1940Alexander KordaDramaUnited Kingdom

    Synopsis:
    This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he’s unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed.Read More »

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