Aleksandra Slaska

  • Aleksander Ford – Piatka z ulicy Barskiej AKA Five Boys from Barska Street (1954)

    Drama1951-1960Aleksander FordPoland

    Quote:
    A politically correct social drama maintained in the convention of a social realist film. The film received the Jury Prize at the Cannes Film Festival.

    The work of Aleksander Ford, an artist of the pre-war avant-garde, the omnipotent “Red Tsar” of Polish culture in the postwar period and the director of “Krzyżacy”, the biggest Polish box-office success of all time.

    A very good role of Tadeusz Janczar, who managed to put life into his otherwise rather conventional and flat character.Read More »

  • Wojciech Has – Petla AKA The Noose (1958)

    Wojciech Has1951-1960ArthouseDramaPoland

    The visualization of a day in the life of an alcoholic, teeming with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel The First Step in the Clouds, THE NOOSE is movie as delirium tremens, as a young man escapes his cramped flat to wander from bar to bar, unable to escape the trap of isolation. THE NOOSE tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.Read More »

  • Andrzej Munk & Witold Lesiewicz – Pasazerka AKA Passenger (1963)

    1961-1970Andrzej MunkArthouseDramaPolandWitold Lesiewicz

    From culture.pl:
    Lisa and Walter, a German couple, travel from America to Europe on a transatlantic liner. He is an employee of an international organization, and she hides – even from him – her past as a guard of the Auschwitz concentration camp. In London, a mysterious passenger who reminds Lisa (an outstanding performance by Aleksandra Śląska) of one of the camp prisoners, Marta (played by Anna Ciepielewska, whose performance was awarded at the International Film Festival in Los Alamos), boards the ship. Memories that had long been repressed slowly resurface.Read More »

  • Janusz Majewski – Czarna suknia aka Black Dress (1967)

    Arthouse1961-1970Janusz MajewskiPolandTV

    Two handed chamber piece about a middle aged woman who returns from the camps after WWII and meets the mother of her deceased husband. Unable to explain the truth about her husband’s death, Joanna weaves a web of lies to comfort the old woman. In time she is forced to involve more and more people who know of his fate. Read More »

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