Alan Bates

Two boys at school in the 1950s. Two professional men in their dubious prime today. Two Sundays and two crises. What have they to do with each other and which child is father of the man?Read More »

Torn between a long-suffering wife and a neurotic, demanding mistress, a lawyer suffers a series of personal crises.Read More »

Synopsis:
A couple uses extremely black comedy to survive taking care of a daughter who is nearly completely brain dead. They take turns doing the daughter’s voice and stare into the eyes of death and emotional trauma with a humor that hides their pain.Read More »

Plot
When an injured wife murderer takes refuge on a remote Lancashire farm, the owner’s three children mistakenly believe him to be the Second Coming of Christ.Read More »

British teenager Leo Colston (Dominic Guard) spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian (Julie Christie). Eager to impress her, Leo becomes the “go-between” for Marian, delivering secret romantic letters to Ted Burgess (Alan Bates), a handsome neighboring farmer.Read More »

Quote:
Erica is unmarried only temporarily in that her successful, wealthy husband of seventeen years has just left her for a girl he met while buying a shirt in Bloomingdale’s. The film shows Erica coming to terms with the break-up while revising her opinions of herself, redefining that self in its own right rather than as an extension of somebody else’s personality, and finally going out with another man. Erica refuses to drop everything for Saul, an abstract expressionist painter, simply out of love for him because he expects her to. It is not so much loneliness that is her problem, and the problems that men, flitting around this newly “available” woman like moths round a flame, bring to her sense of independence.Read More »

An Englishman with a grudge against an insurance company for a disallowed claim fakes his own death in order but an insurance investigator starts snooping around.Read More »

Quote:
The Caretaker was the play that made Harold Pinter’s name when it was first performed at the Arts Theatre, London in 1960, and it remains probably his most famous. Two years later, Clive Donner’s film version began shooting, after producer Michael Birkett had raised the finance from figures such as Noel Coward, Richard Burton, Elizabeth Taylor, Peter Sellers, Peter Hall and Leslie Caron – all passionate admirers of the play. For the film, two of the cast of that original production – Donald Pleasence as Davies and Alan Bates as Mick – are joined by Robert Shaw as Aston, allowing us to see on film three of the greatest stage interpretations of Pinter’s characters. Donner’s sensitive film becomes a study of shared illusion, tragic dispossession and a fraternal bond of unspoken love, combining mesmerising performances and the magic of Pinter’s dialogue into a spellbinding film.Read More »

If ever there was a role that Anthony Quinn was born to play, it was the lusty, life-affirming title character in Zorba the Greek. The scene is the isle of Crete, where English writer Alan Bates arrives in the hopes of realigning his own values and outlook on life. He is “adopted” by the flamboyant Zorba, who determines to educate Bates in the ways of the world-or, to be more precise, Zorba’s world. Along the way, Bates is introduced to widow Irene Papas, the unrequited love object of everyone on the island, who comes to a tragic end when she is accused of adultery.Read More »