Alain Delon

Synopsis:
In Paris, the ex-cop Choucas is a private detective that works with a mysterious partner, Tarpon, and the secretary Charlotte. He is presently working in an embezzlement case of an employee of the pharmacist Jude. When the middle-aged Isabelle Pigot hires him to investigate the disappearance of her blind twenty year-old daughter Marthe Pigot that worked at the Drillard Foundation for blinds, the Police Inspector Coccioli seeks Choucas out and asks him to drop the case. But Choucas proceeds with the investigation and schedules an encounter with Isabelle in a square, but she is murdered with a shot on the forehead.Read More »

Synopsis:
Master thief Corey (Alain Delon) is fresh out of prison. But instead of toeing the line of law-abiding freedom, he finds his steps leading back to the shadowy world of crime, crossing those of a notorious escapee (Gian Maria Volonté) and alcoholic ex-cop (Yves Montand). As the unlikely trio plots a heist against impossible odds, their trail is pursued by a relentless inspector (Bourvil), and fate seals their destinies. Jean-Pierre Melville’s Le cercle rouge combines honorable anti-heroes, coolly atmospheric cinematography, and breathtaking set pieces to create a masterpiece of crime cinema.Read More »

Synopsis:
Jacques Darnay (Delon) is released after having served ten years in prison for robbing a jewelry store. Much about that crime remained a mystery: the stolen diamonds were never recovered, and no one knows exactly how Charby the jeweler died. At his trial it was declared that Darnay acted alone, yet the size and complexity of the heist make that seem highly unlikely. Darnay’s release is anxiously awaited, by both the police, who hope he’ll reveal more information about the crime, and by some of Darnay’s former friends, who have a few ideas as to what might have happened to the diamonds. Having, perhaps, played in his years enough of both, Delon is the perfect point man in this duel between cops and crooks, capitalizing on each side’s strengths and weaknesses while decidedly pursuing his own agenda.Read More »

Synopsis:
“A forty-something antiques dealer, Pierre Noix is a busy man, in just about every aspect of his life. Having bought a large house in Provence built on the remains of a Roman structure, he wastes no time digging around for some long lost treasure. Pierre’s plans are threatened, first by the town’s mayor, who is about to authorise the construction of a motel in the area, and then by Edwige, the daughter of the previous owner of the estate. When Edwige queries the legitimacy of the sale, Noix responds by seducing and marrying her, all in record time. Unfortunately, his troubles are far from over…”
– Films de FranceRead More »

FROM IMDB
Author: Lalit Rao from Paris, France
French cinema of nineteen eighties was known for its numerous popular films which gave a new dimension to box office collections.”Pour La Peau D’Un Flic” is one such film which is not so much known by ordinary film viewers both in France and elsewhere.This might have something to do with the manner in which this film was distributed. It is sure that loyal Alain Delon fans would be aware that this film marked the beginning of his directorial career in 1981.Alain Delon gives one of his career’s finest performances as a detective who would go to any length in order to bring cold blooded criminals to justice.As a film director he has not fought shy of portraying what ails police forces in France.In “Pour La Peau D’Un Flic”,policemen are shown as real human beings with their fair share of weaknesses.Alain Delon’s acting performance has too many shades of similarities with American actor Al Pacino although it would be politically incorrect to suggest such a comparison.This is a good film for all those people who would like to see Alain Delon both as an actor as well as a director in a same film.Read More »

Quote:
Purple Noon is a taut, intelligently written, and well crafted film about an amoral criminal. Tom Ripley (Alain Delon), commissioned to find and bring home an old school acquaintance named Philippe Greenleaf (Maurice Ronet), the errant son of a wealthy San Francisco businessman, is quickly seduced by the lifestyle of the idle rich. Without independent means, the parasitic Tom immediately leeches onto the squandering, philandering Philippe, who only seems too eager to flaunt his wealth and humiliate him. Soon, Tom’s pervasive presence turns a leisurely yachting cruise with Philippe’s girlfriend, Marge (Marie Laforet), into a claustrophobic nightmare. After instigating an argument between the two lovers, causing Marge to leave, Tom sets his plot in motion to assume Philippe’s identity. Purple Noon is a highly stylized and insidiously clever film on committing the perfect crime.Read More »

Synopsis:
‘Tom Ripley and Philippe Greenleaf are lately inseparable friends. They’re both idling in Europe, but on papa Greenleaf’s dime. Philippe’s fiancee Marge feels sorry for Tom but resents his presence, while Philippe’s other friend, Freddie, considers Tom Ripley a worthless moocher. But there’s more to Tom Ripley, the mimic, the forger, the talented criminal improviser, than anyone, even Tom Ripley himself, can guess.’
– J. Spurlin (IMDb)Read More »

The widow Rosaria moves to Milano from Lucania with her 4 sons, one of whom is Rocco. The fifth son, Vincenzo, already lives in Milano. In the beginning, the family has a lot of problems, but everyone manages to find something to do. Simone is boxing, Rocco works in a dry cleaners, and Ciro studies. Simone meets Nadia, a prostitute, and they have a stormy affair. Then Rocco, after finishing his military service, begins a relationship with her. A bitter feud ensues between the two brothers, which will lead as far as murder… Written by Kornel Osvart Read More »

Synopsis (possible spoilers):
“Well into middle-age, Casanova finds himself wandering purposelessly in the South of France, accompanied by his ever-loyal valet Camille. Weary and almost penniless, the legendary seducer yearns to return to his native Venice, but cannot do so until he receives written permission from the authorities. One day, he meets Olivo, an old friend who invites him to stay in his country house. Casanova gladly accepts and learns that Olivo’s wife, Amelie, is one of his former conquests. Whilst Amelie tries in vain to rekindle his erstwhile passion for her, Casanova’s attentions are fixed on Marcolina, his host’s beautiful niece. To Casanova’s horror and incredulity, Marcolina, a woman of rare intelligence and sophistication, fails to find him the least bit attractive. It seems her heart is already given – to a dashing young military man named Lorenzi…”
– Films de FranceRead More »