2020s

“A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret.Read More »

Two billion years ahead of us, a future race of humans finds itself on the verge of extinction. Almost all that is left in the world are lone and surreal monuments, beaming their message into the wilderness.

Based on the cult science fiction novel of the same name by Olaf Stapledon, Jóhann Jóhannsson artfully combines music, film and narrative spoken by Hollywood star Tilda Swinton in his opus Magnum Last and First Men, a poetic meditation on memory and loss.Read More »

It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven’t seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau’s wife, returns home.Read More »

Maxim and his comrades-in-arms are participating in top-secret experiments into the creation of a new man. The employees of the secret Institute are characterised by everything Maxim detests: alcoholism, depravity, weak will, loss of ideals, and lack of faith in the future. Vika, one of the waitresses in the Institute’s cafeteria, falls in love with the young communist, though she is scared by his fascination with eugenics and his violent tendencies. Vika hopes that her passion and tenderness will soften Maxim, while the state security agents keep a watchful eye on their developing relationship.Read More »

When faced with life’s challenges, Ste-Adeline’s community has always stuck together. But this time, a scandal sends shockwaves through the quiet little town’s very foundation, testing its inhabitants. At the center of the storm is Magalie, a teenager with a girlish pout; Manuel, the foster child of the beloved mayor; and Isabelle and Chantale, the powerless yet protective mothers. In Ste-Adeline, appearances are deceptive. And the town’s carefully maintained social veneer will come to crack, slowly revealing the true nature of its residents.Read More »

Katya, a young librarian, believes in love, but her ideals are crushed by reality. After a string of disappointing affairs, Katya finally finds tenderness and understanding in the arms of her colleague, a journalist called Tanya. But then the First Department interferes: the state security services see this relationship as unacceptable for a Soviet woman.Read More »

Eimantas and Migle have been together for only a couple of months. Migle’s grandfather has been living in an apartment that is too big for him. That’s why Migle’s parents decide that he is finally going to live with them. In order to please his girlfriend, Eimantas comes to the grandfather’s home to help Migle’s family move all the furniture. But not every family member is happy about the presence of Eimantas.Read More »

Cineuropa wrote:

Following on from L [+] (2012) and Pity [+] (2018), Babis Makridis is returning to the International Rotterdam Film Festival, within the Voices line-up, with Birds (Or How To Be One), a film based on Aristofane’s Greek comedy The Birds, exploring the desire for and fear of freedom. The story tells the tale of two men who distance themselves from the rest of humanity in order to find the man-bird Upupa and build a city where birds can live in harmony, far away from humankind. Makridis takes this premise as his starting point to develop a work of an experimental form, bringing together the casting process, rehearsals for a theatre production of the comedy in question (directed by Nikos Karathanos) and interviews bordering on the absurd.
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“Influenced by avantgarde artist-refugees from Europe, non-representational art dominated the art market after WW2 and pictorial comment on social conditions, popular before the war and still vital in some of Picasso’s work, went out of fashion. For the owners threatened by the appeal of socialism, it had become time to change the subject to pure aesthetics: ‘Rockefeller’s Paintings’ one MoMA show advertised. In a society that allows both non-religious and multi-religious thinking and where opposing beliefs can neutralize each other, an openness to new thinking is possible and a great development in the art did take place.Read More »