2020s

A cheerful grim look at the follies of the twentieth century, anchored in Gogol’s proto-surrealist novella ‘The Nose’ and Shostakovich’s opera of the same name.Read More »

For the final broadcast of ‘60 Minutes to Midnight’, the most viewed journalistic show on television, the star of the night is Adrián Marcato, who is about to expose the president of the government’s ties to Satanism.Read More »

Antonio has spent his whole life away from Italy, his home country. He crosses paths with Leo, a young Italian artist who is trying to make it abroad. The old man and the young woman’s destinies mirror each other. Memories from the past are awoken and end up offering a more peaceful future to the both of them.Read More »

One day, the painter and photographer, Ali Arif Ersen, is suddenly struck down with locked-in syndrome and finds himself imprisoned in his own body. Despite being bedridden, Ersen discovers ways to embrace life through his passion for art and creating.Read More »

Autotranslated description:
Impressions from the American Independence Day celebrations in Butte, Montana: evening mood, American flag on the veranda, barbecue, firecrackers, fireworks. A quote from Donald Trump: “Marxists, anarchists, troublemakers and looters destroy our statues, erase our history, indoctrinate our children and trample our freedom. Your goal is no better America, your goal is the end of America. ”A short, to-the-point comment.
(Mara Rusch)Read More »

Quote:
The artist David Wojnarowicz escaped one American hellscape to find himself smack-dab in the middle of another. In a 1985 short film he made with Richard Kern, “You Killed Me First,” Wojnarowicz, then in his early 30s, portrays a version of his own alcoholic, abusive father. The grindhouse-style underground movie depicts a real event — that father feeding his children’s pet rabbit to them for dinner.Read More »

At 76, Swedish auteur Roy Andersson is about to complete his last film. With the end of his career in sight, the central thematic concerns of Roy’s work – vulnerability, insecurity and mortality – spill over into his creative process. Over the course of a career spanning decades, he’s remained enigmatic and reclusive… until now.Read More »

Quote:
It’s winter and 22-year-old Muzi has returned to her home town of Hangzhou for a visit, a new year is around the corner. Her parents are long since separated, her father has a wife and young daughter and her mother is dating, though the old family apartment is still furnished as was. Muzi befriends an older bar owner and her university boyfriend comes looking for her, although no relationships here are straightforward. It takes time to work out how everyone connects to Muzi anyway, there are no explanations or introductions and one scene can shift into another without warning, creating ellipses along the way; it’s less about telling a story than capturing a mood, the same sense of melancholy stasis that settles even over the sudden outbursts of feeling. Yet the camera is always active, eagerly seeking out unusual perspectives and subjective impressions: the damp rock in the vast underground cavern, the lights in the winding corridor of the karaoke bar, the mist that forms by the river at night, the texture of pubic hair in bathwater. In black and white, the urban spaces seem even emptier; when the black and white is inverted, the city looks like a far-of planet and maybe that’s the point. “Every time I come back, it’s more different than before.”Read More »

After a long and unsuccessful struggle to get pregnant, convinced by the discourse of an adoption association, Satoko and her husband decide to adopt a baby boy. A few years later, their parenthood is shaken by a threatening unknown girl, Hikari, who pretends to be the child’s biological mother. Satoko decides to confront Hikari directly.Read More »