2010s

Quote:
A tableaux vivant. The sound of the victrola employed “live” for screenings, utilizing the Vitaphone sound system. Created as part of Residency Unlimited: Special Features.Read More »

Quote:
A young girl disappears in a forest in the heart of São Paulo, Brazil.
Read More »

This hypnotic documentary by cinephile par excellence Mark Cousins takes a brave – but increasingly rewarding – abstract angle by seeking through aesthetic rather than conventional exposition to capture the strange, sensory ethos of the Atomic age (a period spanning approximately 1940-60 but having a far-reaching legacy up to the present day). Using Mogwai’s ethereal electronic soundtrack as his conduit, Cousins takes us through the history of the Atomic period through sound and image alone (there is no overt narration) – even trying ambitiously to suggest that splitting the atom and creating atomic weapons were not in themselves immediately malign developments but almost the end-game of a form of evolution, and symbol of mankind’s mastery over the properties of his planet. Hence Cousins finds in the famous, awe-inspiring images of atomic mushroom clouds a correlation with more common sights of proliferation in nature (a bud that grows, a flower that blooms, sperm that fertilises an egg).Read More »

Quote:
The body as a wound that never heals.Read More »

Quote:
Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.Read More »

Quote:
On the eighth floor, Raymond Depardon filmed a minute of silence with eight personalities who worked for the Cartier Foundation for Contemporary Art: David Lynch, Patti Smith, William Eggleston, Takeshi Kitano, Ron Mueck, Jean Michel Alberola, Agnes Varda and Misha Gromov.Read More »

Quote:
For over two months, Mauro Herce and his crew travelled aboard the freighter My Fair Lady, shooting 14-16 hours a day as it made it laborious journey from Ukraine to New Orleans. Blurring the lines between documentary and fiction, Dead Slow Ahead detaches itself from reality in favour of setting a science fiction, dystopian tone. Welding disparate images and foreboding sounds from deep within the labyrinthine corridors of the ship, Herce has transformed what could have been a dull documentation of life aboard the ship and imbued it with an otherworldly sense of wonder.Read More »

`
Quote:
This film is based on the simplest staging principle: 9 high-level mathematicians have each less than 4 minutes to tell, in front of the camera, what fascinates or moves them, brings them joy, makes them dream or laugh in their scientific activities.

The film was shot for the purpose of the exhibition “Mathématiques, un dépaysement soudain” (Maths: a sudden change of scenery), which took place from October 2011 to March 2012 at the Cartier Foundation in Paris.Read More »

About the Jazz Loft Project

In January 1955 W. Eugene Smith, a celebrated photographer at Life magazine whose quarrels with his editors were legendary, quit his longtime well-paying job at the magazine. He was thirty-six. He was ambitious, quixotic, in search of greater freedom and artistic license. He turned his attention to a freelance assignment in Pittsburgh, a three-week job that turned into a four-year obsession and in the end, remained unfinished. In a letter to Ansel Adams, Smith described it as a “debacle” and an “embarrassment.”Read More »