2010s

A nativity story reboot that gently skewers French cultural pretensions, it features newcomer Victor Ezenfis as a discontented Parisian teenager in search of a father, Mathieu Amalric and Fabrizio Rongione as his, respectively, callous and gentle alternative paternal options, and Natacha Régnier as his single mother.
The American-born expatriate filmmaker Eugène Green exists in his own special artistic orbit. All Green’s films share a formal rigor and an increasingly refined modulation between the playfully comic, the urgently human, and the transcendent, and they are each as exquisitely balanced as the baroque music and architecture that he cherishes.
Eugène Green drops biblical motifs – Abraham and Isaac, Mary and Joseph – into this genuinely contemporary setting as if it were the most natural thing in the world, augmenting them with nods to crime films, Italian Baroque music, a Doisneau photograph, three 17th century paintings and an artificial way of speaking that is anything but current.
The characters are positioned within the visual compositions and look directly into the camera, their diction flawless. Whatever needs saying – and that’s a lot – they recite impassively, in declamatory fashion. Along the way, there are jabs at the literature milieu and trendy yuppies.
A film where divine seriousness rubs against bizarre comedy, where theology meets caricature, an intriguing film, anachronistic and innovative in equal measure.Read More »

Quote:
Writer-director Ivan I. Tverdovsky s prize-winning sophomore feature (Special Prize of the Jury at Karlovy Vary Film Festival, Best Picture at Fantastic Fest) deftly mixes the deadpan humour of Aki Kaurismäki with a poignant examination of social issues including loneliness and aging.

Middle-aged zoo worker Natasha still lives with her mother in a small coastal town. As she struggles for independence, she has to endure the absurd reality of her life filled with gossip spread by the women around her. She is stuck and it seems that life has no surprises for her until one day… she grows a tail. Embarrassed at first, Natasha decides to go further with the transformation and use it as an opportunity to redefine herself as a person and as a woman. With the new “accessory” she gets access to the life that she has never experienced before – she starts a relationship with a man, who finds her attractive, she goes out and allows herself to be foolish for the first time in her life. But her second puberty eventually comes to an end and Natasha has to make a choice between reality and illusion …Read More »

Quote:
Commissioned to create a bust of Napoleon’s great-grand-niece Marie Bonaparte, the sculptor Brâncusi instead delivered a bronze phallus. Thus begins a lively historical tour covering the early days of modernism, the emergence of psychoanalysis, and the nascent study of female sexuality.
– KATHLEEN MCINNISRead More »

Synopsis:
Cries from Syria is a searing, comprehensive account of a brutal five-year conflict from the inside out, drawing on hundreds of hours of war footage from Syrian activists and citizen journalists, as well as testimony from child protestors, leaders of the revolution, human rights defenders, ordinary citizens, and high-ranking army generals who defected from the government. Their collective stories are a cry for attention and help from a world that little understands their reality or agrees on what to do about it. A documentary by Evgeny Afineevsky, director of the Oscar-nominated film Winter on Fire, Cries From Syria premiered at the 2017 Sundance Film Festival.Read More »

Executive produced by Kevin Spacey, Shakespeare High is an inspiring documentary that follows a diverse group of California high school students as they compete in a Shakespeare Festival unlike any you have ever seen – a unique program that counts many of Hollywood’s biggest stars among its alumni.Read More »

Quote:
Based on a book by writer – director Miwa Nishikawa, a recently widowed writer ( Masahiro Motoki,Departures)whose wife died in a bus crash comes to terms with his grief,or lack of it, in caring for the children of a working man who also lost his wife in the same accident.Read More »

A young junior hockey player’s life is shattered by an in-game act of violence. In an instant his life is abruptly turned upside down; torn from the fraternity of the team and the coinciding position of prominence, he is cast as a pariah and ostracized from the community.

Canada is amidst a renaissance of refreshing movies by a new wave of directors. Told with a bold disaffected style recalling Michael Haneke, this debut is at the forefront. Hello Destroyer is an intimate portrait of a young hockey player and an incisive reflection on institutionalized violence.Read More »

Quote/
“I read the obituaries in The New York Times first thing every day. I know I am not alone in this. It is a melancholy devotion, and slightly occult, and allows me to wander outside my own skin, and to wonder how a life’s essence can be captured in miniature, immortalized in a few words.Read More »

Detour de Force presents the world of thoughtographer Ted Serios, a charismatic Chicago bell hop who, in the mid-1960’s produced hundreds of Polaroid images from his mind. Constructed from 16mm documentation of Serios’s sessions and audio recordings of Serios speaking with Dr. Jule Eisenbud, the Denver psychiatrist who championed his abilities, the film is more ethnography than biography, portraying the social and scientific environments in which Serios thrived. The film foregrounds the state of image and sound recording technologies of the period as essential to the emergence of Serios’s psychic photography. It is also a document of the filmmaker’s encounters with the archival materials themselves. The film enjoys a rich sound environment by Ernst Karel, Kyle Bruckmann and Guiseppe Ielasi.Read More »