2010s

Two filmmakers leave to Macao in an adventure of discovery of a city-labyrinth, multicultural and mysterious, where the memories of the childhood – featured memories by the lived reality in Macao – have a dialog with the memories of the East built by the codes of the cinema and the literature – memories lived on a featured reality-, creating a testimony which tries to raise the veil on the past and the present time. A personal album of physical and emotional geography, structured as an investigation disguised as a thriller, where the puzzle of the history challenges the reality.Read More »

Year 2017. Barcelona. A couple reunites after five years of not seeing each other and after going through some tragic incidents in their past in their lives. She had stayed in Spain while he moved to Germany. Two ways of facing the current economic crisis: she preferred the idealism of staying and struggling to change the situation, and he left everything behind, a more lucid and logical point of view. When they both feel that the past is no longer important, it suddenly comes back. Unhealed wounds will always remain open. Read More »

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Back in 1997 Louis Theroux made a documentary, as part of his Bafta-winningly odd Weird Weekends series, about a subject that was then relatively unfamiliar this side of the Atlantic – the vast pornography industry that existed alongside mainstream movie-making in Southern California. It was a typically quirky Theroux production focused largely (and highly entertainingly) on the male “performers” and contrasting the stereotypical macho fantasy of easy sex with the crude mechanics of the job – and the physical and psychological dangers it posed to those involved.Read More »

A Man lives in his car. He is 40 years old and although he does not have a lot of free time, when he does, he chooses to spend it with his family. He meets his wife and two children at a specified day and time in car parking lots. His job is to locate and bring the finest honey to a 50-year old man. A New Driver shows up and the Man gets fired. The Man’s life changes and he finds it absurd that no one trusts him anymore.Read More »

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It is already a challenge to make a film on death and call it Living. But Sigarev fearlessly gets to the very heart of things, where life, death, God, love and the imagination form an indestructible whole. A harsh and sometimes brutal experience, but catharsis will follow.

Vasily Sigarev’s second feature, after his acclaimed Wolfy, is an existential portrait of protagonists living in a wintry Russian province. A mother wants to reunite with her twin daughters. A young couple marry in church, but immediately after the ceremony, God – or maybe the Devil, or maybe Blind Fate – tests their love in the most brutal way. A boy wants to see his estranged father, despite his mother’s violent protests. Each of these characters lives through their own ordeal.Read More »

Paris, 1942. In the middle of the Occupation, Victor Gence, an unscrupulous merchant, buys, at vastly low prices, artworks belonging to Jewish collectors. Informed by a concierge, he manages to enter the apartment of Mr. Klein who apparently has a fabulous collection.

Adapted from The Invisible Collection by Stefan Zweig.Read More »

“A war. A girl. A dream”.

“Bailaora” is the third and last short film in the trilogy “Luz & Oscuridad ” (Light & Dark).
Nominated for Best Fiction Short Film at the Goya Awards 2019Read More »

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Adachi Masao’s long-awaited return from hiatus is an absurdist comedy with political bite. The multilayered hypocrisies of contemporary Japan are slowly unveiled when a wordless man stages an unexplained hunger strike and the people who surround him exploit his silence to further their own cause.Read More »

Filmmaker Albert Serra specifically conceived the series The Names of Christ (2010) for the exhibition Are You Ready for TV? It consists of 14 episodes, with a total duration of 193 minutes, and is based on the book The Names of Christ (1572-1586), by Friar Luis de León. Serra constructs a narrative based on a free, poetic structure, which ironically deconstructs the conventions and grammars of the film, art and television worlds.Read More »