2010s

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Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.Read More »

Three Georgians have to clean a castle where an arms manufacturer’s art collection is on exhibit. They aren’t welcome at the opening party and are banished to the attic, but downstairs the splendid buffet attracts them. Why not just ignore the unfair prohibition and cross the line of class society?Read More »

In the curious story of this magic-realistic film, the customs of ethnic mountain peoples in Vietnam are linked to the idiosyncrasies of modern art. There are three protagonists, who live on a lonely mountain. They are the old father and his two children: his beautiful, nubile daughter and a mentally handicapped son. Tradition dictates that the son first has to marry in order to ensure the male family line is continued. For that, young men go to the annual marriage market, but the undesirable son returns every year without a bride. The old man is determined that his son will father a child before he dies and takes unusual measures to ensure this.

The film was banned in its own country, primarily because of the sexual themes, but also possibly because of its unruly form.Read More »

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Life is a baffling but also intriguing imitation of itself in Greek director Yorgos Lanthimos’ follow-up to well-received arthouse hit Dogtooth. Scarcely less bizarre than that droll excursus about a family that lives, loves and even speaks at one surreal remove from the rest of the world, Alps denies us such traditional cinematic handholds as rounded characters with backstories; a plot with an identifiable moral arc; neatly tied narrative ends; an easy-to-read ‘message’. Yet the film only very occasionally feels like a piece of self-indulgent arthouse mystification: most of the time, this story of a team of melancholy, oddball characters who help (or profit from) the bereaved by standing in for departed loved ones holds us emotionally and intellectually – and ends by saying something profound about a world in which ‘reality’ is just another TV format…Read More »

In this testament to the special bond between a mother and her son adapted from French author Romain Gary’s loosely autobiographical novel of the same name, Charlotte Gainsbourg turns in an exuberant performance as Nina, Gary’s overbearing single mother, while Pierre Niney plays Gary as an adult. Hounding the boy at every turn – from his difficult childhood in Poland, to his adolescence in the South of France, to his World War II adventures as a Free French bombardier – Nina makes it clear that she expects her son to become a great writer, a war hero, a French ambassador, and a Knight of the Legion of Honour. Despite bursts of resistance and the obstacles imposed by anti-Semitism in both Poland and France, Gary is determined to realise his mother’s monumental aspirations…Read More »

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The real life of Tommaso Buscetta the so called “boss of the two worlds”, first mafia informant in Sicily 1980’s.Read More »

In a small convent school in rural Quebec, Mother Augustine provides a musical education to young women no matter their socio-economic background. However, with the looming changes brought by Vatican II and Quebec’s Quiet Revolution, the school’s future is at peril.Read More »

After the death of her mother, 17-year-old Prudence finds herself living alone in her Paris apartment. Then she meets Maryline, a rebel of her own age, who introduces her to the thrills of motorcycle racing on the biker circuit at Rungis. Prudence’s newfound lease of freedom becomes complicated when she falls for a boy Franck who wastes no time in taking advantage of her naivety…Read More »

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Yuzo (Nao Okabe) and Mitsuki (Anne Ogawa) live together in Yuzo’s small apartment, their constant companionship tender and indifferent in turn. Then Yuzo receives a call from Satsuki (Hyunri), a documentarian resolved to make a film about a now-distant family tragedy, and the three meet, to search for some way to account for their relationship to one another, the memories they share and those they’ve kept to themselves.Read More »