Selva (13) lives in a coastal town in the Caribbean. After the sudden disappearance of her only motherly figure, she is left to take care of her grandfather who doesn’t want to live. Between shadows and wild games, she must decide if she will help her grandfather die, even though that means going through her last moments of childhood alone.
1 win & 10 nominations.Read More »
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Breathtaking, poignant and mesmerizing, MANAKAMANA is a documentary shot entirely inside the narrow bubble of a cable car, high above a jungle in Nepal, as it transports villagers and tourists to an ancient mountaintop temple. Filmed in 16mm and comprised of 11 rides (each a single take corresponds to the length of a roll of film), MANAKAMANA is a tender, ephemeral character study of its passengers and a window onto the lush, rolling landscape of a country in transition from ancient tradition to modernity. This evocative and rigorously structured documentary presents a rich sensory experience that ignites the viewer’s imagination to fill in the past, present and future of each moment as they watch. The New York Film Festival calls it, “…an airborne version of an Andy Warhol screen test…an endlessly suggestive film that both describes and transcends the bounds of time and space.”Read More »
Ten years have passed since Elena’s son, then six years old, has disappeared. Today Elena lives and works at a seaside restaurant until she meets a teenager who reminds her of her missing son.Read More »
Agustina discovers that her late father, previous to his marriage and family life, was involved with insurgent leftist groups during the era of the Argentinian military dictatorship, had a long term romantic relationship with another man and was a prominent member of the underground LGBT scene.
She reconstructs her father’s life through interviews with people that knew him and a treasure trove of family films to produce a moving portrait of a multi-faceted, fascinating and mysterious figure.Read More »
At her 70th birthday celebration, the aged mother of the Gu family suffers from a stroke, which precipitates her decline into dementia. Who will take care of her? The four brothers face crucial changes in their relationships to one another, as they deal with their own family problems.Read More »
Synopsis / Plot
A woman travels from Peru to work as a housekeeper in Chile.
Awards
2019: Mar del Plata Film Festival: Official Selection – Ibero-American FilmRead More »
Gi Ju-bong (Right Now Wrong Then) plays a taciturn, lonely widower with a secret or two. Mo Geum-san’s provincial life seems orderly and governed by routine: undemanding days in his small barber-shop, daily visits to the local swimming pool for his fitness, a drink and a snack on the way home and nights spent wrestling with a pillow that’s too lumpy. Mr Mo’s first secret is that he’s semi-estranged from his son, a student in Seoul; some bad news from a doctor makes him want to reconnect. His second secret is that beneath his placid and slightly dour exterior, a Chaplin-esque slapstick comedian is struggling to get out.Read More »
A middle-aged couple visit a temple, where they had spent their first night together thirty years previously. On their way back, the woman realises she has likely left her phone there and insists on recovering it. This begins the winter’s night, one plunged in the shared, or separate, past of what forms the heart of a couple. At the beginning of the film, the subject’s triviality is conveyed by a rather naturalistic treatment, but this only serves to subsequently produce a stronger twist and gently shift the film towards a starker viewpoint that reveals the underpinnings of love’s discourse, and its memory. The subtle undramatic acting intentionally clouds the rules of the sentimental game, never far from breaking the ice. Bodies, emotions and memories, outside the traditional patterns of attraction and repulsion, are now on an equal footing on the threshold of this winter temple-turned-stage.Read More »
Synopsis
This documentary portrait of theater operator Nicolas “Nick” Nicolaou moves from 1970s Times Square adult film houses through decades of city regulation, chain takeovers, and cultural shifts, charting a charming odyssey through the history of film exhibition and New York City. Abel Ferrara traces the life and work of friend and fellow cinephile Nicolas “Nick” Nicolaou, a Cypriot immigrant who began working as a teenager in small neighborhood movie theaters around Manhattan, defying gentrification, changing viewing habits and corporate dominance in the 1980s, only to emerge decades later as one of New York City’s last independent theater owners. A moving tribute to friendship, tenacity and the love of cinema, THE PROJECTIONIST is also a timely paean to what going to the movies is all about.Read More »