2010s

Quote:
Twilight’s Kiss presents the story of two closeted married men in their twilight years. One day Pak, 70, a taxi driver who refuses to retire, meets Hoi, 65, a retired single father, in a park. Despite years of societal and personal pressure, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recall their personal histories, they also contemplate a possible future together. Inspired by an oral history of older gay men in Hong Kong, Ray Yeung’s film looks inside a closeted world rarely seen on film. Wendy Ide of Screen International praised it as “a delicate little wisp of a romance which plays out in fragile moments and shared glances.”Read More »

Quote:
Yoav’s demons start haunting him after his best friend becomes pregnant without telling him, and after his boyfriend of 15 years starts talking about children too. His life unravels, and self-destruction seems inevitable.Read More »

Synopsis
In a sweaty, overcrowded tram in Sarajevo, a shy teenager is beset by every imaginable impediment as he tries to capture the attention of his object of desire.Read More »

A young girl seeks out imaginative ways to cope with the death of her twin brother.Read More »

Storyline
A sequel to Romanian cinema’s best-known family saga, The Moromete Family (1987), the film continues the tale of Ilie Moromete and his family, this time focusing on his youngest son, Niculae. The entire world order of the village, where the most important thing is to own land and live as a peasant, changes with the Communist regime and their collectivization. The years 1945 to 1946 find Ilie Moromete aging, but still healthy. There are tensions between him and his second wife Catrina and Ilie’s children from his first marriage. Niculae is the only one of the children who has gone to school. He’s finished three high school years and stopped before the final year, because of the lack of money. What he wants most in this world is to finish his studies. He becomes a journalist and novelist and writes about the changing times he’s seen. — IMDBRead More »

A computer teacher, his black-magician grandfather and a cyber-creature—a series of pre-destined rendezvous, both online and offline, over the shreds of mnemonic time and space, at the cleavages of various parlors of subculture—finally the narrative images of the computer screen are drained off from the color and the texture, the images collapse down to a mere pulsating pixel, potentially to start another cycle of the story once again.Read More »

Ana tells Boris, “I need time.” Boris is confused. Time? A period of separation? What does Ana mean? Does ‘time’ mean a week, a month, a year, or ten years? All at once, Boris is alone. Things are pretty tough for Boris whose problems begin the moment he tries to organise his everyday life. Boris knows that planning, organisation and appointments are as important as taking one’s relationship seriously – but how on earth is he to manage all that?
Boris decides to buy his first car. His baby blue second-hand Romanian-built car is a dead ringer for a Renault 6. In fact, rather like the car’s owner, it’s somewhat conspicuous at first glance, but perfectly normal underneath. After a while and on closer inspection however, characteristics begin to emerge that nobody would have suspected; traits that could make it difficult to envisage a harmonious life together. Boris starts meeting people. A classmate introduces him to a circle of friends that end up confusing him. But then, Boris is invited to Uruguay to spend New Year’s Eve with friends in Montevideo. He climbs into his blue Tokha and sets off, but when he arrives in Montevideo there’s nobody at home, and when he calls all he gets is an answering machine message.
Rodrigo Moreno’s UN MUNDO MISTERIOSO tells the story of a likeable oddball moving through a paralysed society threatened by economic ruin.Read More »

The Co(te)lette Film is Mike Figgis’ cinematographic adaptation of the dance performance by Ann Van den Broek.

Women and flesh, beauty and perishableness, raw and fragile. A delirious desire overwhelms the dancers. A desire for physical and mental satisfaction. The dancers go from appeal to sensuality, over lust, fleshness, fame, success, reflection and control, to silence. They are slaves of their own desires while trying to get in control of them. Female bodies in a frenzy.Read More »

Christoph Heider is caught as he abducts the body of his wife from the cemetery chapel. Marianne Heider allegedly died in a bathtub accident, but Heider considers her current partner Wilhelm Jordan guilty and would like to have her autopsied again abroad.Read More »