2010s

Quote:
More than 40 years ago, at the outset of his filmmaking career, Benoit Jacquot worked as an assistant director to the great French novelist and helmer Marguerite Duras, and now, with “Three Hearts,” he has made a film that feels more indebted to her romantic values than anything else in his oeuvre. Here, beneath the surface of a cool, contempo love triangle involving a Parisian man (Benoit Poelvoorde) and a pair of provincial French sisters (played by Charlotte Gainsbourg and Chiara Mastroianni), are all the values Duras held dear: love at first sight, spontaneous tears, all-consuming desire and impossible, self-destructive decisions.Read More »

Synopsis
In the automn of 1430, Jeanne d’Arc, prisoner of a powerful lord of the north of France, is sold to the English. Between the walls that imprison her and the stake at which she will perish, men attempt to approach this young woman who embodies the infinite.

À l’automne 1430, Jeanne d’Arc, prisonnière d’un puissant seigneur du nord de la France, est vendue aux Anglais. Entre les murs qui l’enferment, le temps d’un convoi longeant la mer ou près du bûcher qui la verra périr, des hommes tentent d’approcher cette jeune femme porteuse d’infini.Read More »

Quote:
Manfred Kirchheimer’s deeply humane Canners takes to the streets in an ode to the men and women who earn their daily bread by diligently collecting New York City’s bottles and cans.

He talks to them about their struggles, their families, and their dreams, never straying too far from his work’s abiding subject, survival in the city.

This lyrical documentary, along with his award-winning previous films (Stations of the Elevated (1981), We Were So Beloved (1985), Tall: The American Skyscraper and Louis Sullivan (2004), among many others) makes a superb addition to a body of work fifty years in the making, defined by Whitmanesque generosity and grandeur.Read More »

Louise Traon never films Manoel De Oliveira directly. Instead, she chooses to avoid him, skirt round him, skim past him and keep her distance, yet all the while drawing close to the art of cinema itself, homing in on its very essence. Her film tells the story of a girl who grew up with the images of an old gentleman, and who now wants to show her own images. This touching self-portrait gives insight into a man who appears to have lived many lives, showing his work through a remarkable link with time.Read More »

With Wollner’s latest film, The Trouble with Being Born, having generated a lot of interest and controversy (just last week, it was dropped from the Melbourne International Film Festival program after a newspaper article denounced it as dangerous), here’s her little-seen debut feature, about a thirteen-year-old girl in 1950s Vienna documenting her family and herself with a handheld video camera.Read More »

The film deals with the story of my grandfather, who was an SS officer. He died in 1999, when I was 29 – and I really loved him… Barbara AlbertRead More »

Synopsis:
The great reclaiming march for the sacred Guarani Kaiowá territories through Vincent Carelli’s filming, who recorded the birthplace of the movement in the 1980s. Twenty years later, touched by the successive massacres reports, Carelli searches the origins of this genocide, a conflict of disproportionate forces: the peaceful and obstinate insurgency of the dispossessed Guarani Kaiowá against the powerful apparatus of agribusiness.Read More »

Synopsis:
Piroska is an overweight, alienated nurse who can’t resist cream-filled pastries. She works in the terminal ward of a hospital; her life is surrounded by death. One day she sets off to find her long-lost childhood friend. While tracing her recollections, she embarks on a paradox-filled voyage within her own memory and the memory of those she encounters.Read More »

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.Read More »