The installation THE SILVER AND THE CROSS by media artist Harun Farocki examines the 1758 painting “Depiction of the Cerro Rico and the Imperial City of Potosí” by Gaspar Miguel des Berrío (in the Museo Colonial Charcas de la Universidad San Francisco Xavier, Sucre, Bolivia). Farocki uses the medium of video to dissect the painting and its historical layers. In addition to artistic aspects, Farocki also looks at historical context and colonialism.Read More »
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Elder Mamani’s immaturity and recklessness make him a liability as a Huanuni tin mine, where he’s filled his recently deceased father’s job. Elder spirals further out of control until his fellow workers petition to have him removed.Read More »
The film is based on two poems – “Holes” and “Bone” – by American poet Eileen Myles, the iconic lesbian voice and permanent figure of the poetic New York scene. In the May of 2017, she came to St. Petersburg, Russia, to present a book – the first published Russian translations of her selected poems. The film is a dialog between Eileen and me, post-soviet queer visual artist. It’s an attempt to put different worlds and queer experiences in a cinematic form, borrowing and sharing with each other images, words, voices, affects, memories, encounters, losses, and intensity of lesbian/queer existence…Read More »
Nina and Ben have been together for many years. They have a three-year-old daughter. Their first vacation without their child leads them to the south: to Formentera. Caressed by the sun and the warm Mediterranean winds they enjoy their freedom from the necessities of everyday life. Finally they have some time on their own. But during a wild beach party the paradise turns into hell: Ben is firting with the young and beautiful Mara and at the end of the night Mara und Nina dive into the dark sea. Nina is drifted away and only just manages to get back on land on a different island. Mara, however, has gone missing… Nina and Ben are caught in a deep crisis, questioning everything they once believed in. The sunny island turns into a darkroom, rendering visible what has been concealed: doubts concerning the plans they had for their lives and a quiet grief over a reality that may only be accepted.Read More »
I almost did not know her, because for me she always has lived outside. The missing grandmother who appeared from time to time at the airport and called the day of my birthday. We did not talk too much but felt close, like a mountain you don’t have to climb to know is there. Then I also left the country, but to a different place and never asked her how or why she immigrate? At the age of ninety-one in a town of New Jersey, she receives me. This is the story of our last meeting.Read More »
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The prison of Diyarbakir, the setting of the story, is like the symbol of the torture experienced in the prisons in Turkey after the coup d’etat of 1980. However, in this story, I did not choose to tell the things that took place in the prison, or the political prisoners or the torture, or the political fight. Instead, I turned my camera to the little stories of the “silent” women outside the prison, who could not speak another language than Kurdish, which was forbidden in the prisons of that era.
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Filipa César turns her gaze to Guinea-Bissau, where at the beginning of the 1970s the advocates of a militant cinema captured the freedom struggle and the first years of independence.
The BFI London Film Festival is in full swing and we couldn’t be happier to bring you, direct from its daring Experimenta section, Portuguese artist Felipa César’s debut feature—a fascinating palimpsest of past and present that reflects on the power of images nodding to Chris Marker’s Sans Soleil.Read More »
Hand painted film. Extended graphic modes explored.Read More »
Der namenlose Tag is Volker Schlöndorff’s first-ever TV crime drama…
Ludwig Winter visits retired crime investigator Jakob Franck and refers to the death of his 17-year-old daughter, Esther, a death filed as a suicide. Winter is convinced that it was murder and asks Franck to reopen the case. In flashbacks we learn that Esther was found hanging from a tree in a park. Forced to bring the bad news to Natalie’s mother, Franck ended up consoling her for the next seven hours. Later, this mother, unable to live with such a tragedy, commits suicide. Several characters bring the plot forward: Sandra (best girlfriend), Jan (boyfriend), Jordan (small boy), Rosie (older lady). Franck habitually solves cases by lying on his comfortable bed and staring at the ceiling until an idea pops into his head.Read More »