PLOT – short version
A Thai tale of the legendary Krasue (also known as the ‘P’ Graseau, or the Penanggalan in Chinese), a Southeast Asian Ghost, composed of a disembodied witch with a flying head and entrails dangling beneath. Political intrigue, black magic, unrequited love and disembowlment all fit together perfectly for an evening of family fun with the witch with the flying head. Written by J.W. CaseRead More »
From VILLAGE VOICE:
A shuddering, flickering tribute to two lost compatriots, Ken Jacobs’s Two Wrenching Departures took its original form in 1989 as one of Jacobs’s live “Nervous System” cine-improvisations on dual 16mm projectors. Earlier that year, his former collaborators Bob Fleischner and Jack Smith died within a week of one another—an ironic conjunction, as the pair had been at odds for years, long after Jacobs, Fleischner, and Smith had chaotically joined talents in the late ’50s to create Blonde Cobra, a grimly glamorous rummage through trash-pile transvestism that was one of the most celebrated titles of the pre-Warhol underground scene.Read More »
Jamal, a 10-year-old Pakistani Muslim, mistakenly crosses the border between India and Pakistan and finds an unusual ally in a Hindu Brahmin, Bhola. Indian soldiers descend on Bhola’s village searching for the so-called terrorist who crossed over. Bhola’s neice, Rani, insists they can’t let a Muslim into their Hindu home. With Bhola and Rani grappling with the consequences of harboring a Pakistani and their deep-set prejudice against Muslims, Jamal’s only hope is the humanity shared by a people separated by artificial boundaries a long time ago.Read More »
“This film was conceived in honor of the 20th anniversary of the death of one of the greatest directors in the history of cinema – Andrei Tarkovsky. The young filmmaker Dmitry Trakovsky sets out in search of his favorite director’s legacy. His journey leads him to fifteen moving interviews in California, Italy, Sweden, and finally, Russia, as he attempts to come closer to the meaning of one of Tarkovsky’s most enigmatic beliefs… that death doesn’t exist.Read More »
A group of overweight people attend therapy sessions in an attempt to solve their weight and emotional problems.
“GORDOS” is a comedy about life’s excesses and deficiencies; about our insecurities, phobias, obsessions, traumas, mistakes, fears, blame, desires, hopes, challenges, concessions, goals, relationships, love, sex, health, family… about survival in the widest and “largest” sense of the word.Read More »
Plot : Catherine Breillat puts a new spin on an ancient story in this multi-leveled drama. In France in the mid-1950s, Catherine (Lola Creton) enjoys toying with her younger sister Marie-Anne (Daphne Baiwir) by reading her the story of the murderous and oft-married Bluebeard, embellishing the story with plenty of gore and scaring the child out of her wits. As Catherine rereads the story, we’re taken back to the year 1697, as Lord Bluebeard (Dominique Thomas) prepares to make Marie-Catherine (also played by Creton) his seventh wife. Marie-Catherine’s youth and innocence make her an especially attractive quarry to Bluebeard, and rather than murder her right away, he decides to wait a while in order to savor the terrible joy of claiming her life. Read More »
A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She’ll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He’s reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day “contract”, these two total strangers will have had a profound impact on each other.Read More »
The achingly hip I LOVE YOUR WORK arrives with trappings familiar to any keen-eyed independent film fan. With a cast that includes Giovanni Ribisi (LOST IN TRANSLATION) and Franke Potente (RUN LOLA RUN), a big-star-in-a-cameo-role appearance (in this case, Vince Vaughn), and the by now obligatory roles for people you wouldn’t expect to see in such a movie (Jason Lee, Elvis Costello), Adam Goldberg’s debut feature is positively dripping in cool, and he seems to have looked up every contact in his Rolodex for I LOVE YOUR WORK–even calling on the Flaming Lips’ Steven Drozd to carve out a few songs for the soundtrack.Read More »
MARY AND MAX is the claymation feature film from Adam Elliot who won an Oscar for his short film Harvey Krumpet.
It was invited to open the Sundance Film Festival this year, an auspicious start for this very individual film which covers 20 years of a pen-pal friendship between Mary Daisy Dinkle – voiced by BETHANY WHITMORE as a child and TONI COLLETTE as an adult and Max, (PHILIP SEYMOUR HOFFMAN) a large sized New Yorker who has problems relating to people. This odd couple friendship has loneliness at its core.Read More »