2000s

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Photographer and filmmaker Larry Clark offers another look at the inner workings of urban youth culture in this comedy drama. Jonathan (Jonathan Velasquez) is a teenaged El Salvadorian refugee living in a primarily Mexican-American and African-American neighborhood in South Central Los Angeles. Jonathan and a handful of fellow Salvadorian émigrés who are his best friends stand out like sore thumbs on the block, due less to their national origin than because they’ve rejected the hip-hop music and fashion around them in favor of old-school punk, as favored by the Ramones and latter-day Latino bands such as Suicidal Tendencies. Jonathan and his pals Kiko (Francisco Pedrasa), Eddie (Eddie Velasquez), Porky (Usvaldo Panameno), and Spermball (Milton Velasquez) have a group of their own, and Jonathan, a sweet but streetwise kid who has a way with the girls, is the lead singer. Read More »

Every day Claudine toils on the production line in a food-processing factory, but as a union leader, she works even harder to get better pay and working conditions for her fellow employees. The days of strong unions are in the past, however, and Claudine senses her union is losing its clout. When Joanna, a friend in prison, needs her to speak up on her behalf, Claudine hesitates, knowing it will diminish her reputation and undermine her role as a union official. In her feature film debut, director Bénédicte Liénard offers a provocative political tale without sacrificing humanity or style. As a social drama with a human face, A Piece of Sky strikes out against injustice. —Blaq Out
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The goalkeeper of a little-known soccer team is kidnapped by a Argentinean government squad and sent to a detention center. After months of torture, he plots his escape with three other young men.

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If American moviegoers have plenty of reasons to feel icky about government-sponsored kidnappings and hidden prisons, “Chronicle of an Escape” gives them another good one, by viewing a fact-based Argentinean story through the stylized lens of a horror film. Laced with dread that builds to a thoroughly gripping third act, it should do well with art house audiences who like their history lessons to come with a shot of adrenaline.Read More »

Press comment:
Not unexpectedly Troell´s contribution to the group-project facing the new millenium -“Swedish stories” – is outstanding. Here the lives of ordinary people on the countryside on Sweden´s southern tip mirror, without effort, something more general. This time we encounter some enthusiasts running a small radio station. Singing, talking, and greeting is heard, listened to and exchanged.. The image of a technology serving people and their fellowship is developed together with the one of a society not having lost its soul. —Troell is the great observer among Swedish documentarists. His brilliant cinematography and associative editing literally cuts out meaning and coherence from the visible reality.
DAGENS NYHETERRead More »

In the last feature-length collaboration between Straub and Huillet before Huillet’s death in 2006, villagers from across the length of Italy — a peasant, a postmaster, a theater director, a mayor, a rope maker — gather in the Tuscan countryside to recite the five final scenes of Cesare Pavese’s Dialogues with Leucò.

Published in 1947, just two years after the Holocaust and the Second World War and two years before Pavese’s suicide, the Dialogues offer a series of meditations on human destiny, both comical and tragic, between ancient Greek mythological figures. Desperate in their hunger for immortality, mortals are blind to the gift of being human — of their ability to experience joy and suffering; to feel a passing breeze or the touch of another body; to name, remember, and act.Read More »

Hail to The King, a quietly shocking slice of Southern Gothic from British director James Marsh (Wisconsin Death Trip) and scribe Milo Addica (Monster’s Ball, Birth). Mexican heartthrob Gael García Bernal chills the blood as Elvis, a devil in disguise who infiltrates the family of long-lost dad William Hurt, a pastor with a past. Far from being as overheated as it sounds, this is a muted, menacing slow-burner. Lend it your patience, and you’ll be royally rewarded.Read More »

AMG: How does one start anew after a checkered personal history threatens to extinguish all hope and the possibility of redemption? Such is the question that lies at the heart of De Usynlige, Norwegian director Erik Poppe’s earnest psychological drama of second chances. Pal Sverre Hagen stars as Jan Thomas, a young man fresh from an eight-year prison sentence. The catalyst for his incarceration may have been an accident and may have been a premeditated murder, but regardless, the event still hangs over Jan like a dark shroud, tempering his memories and his actions. Upon release, Jan – a talented organist – lands a job in the local church as an organ player, and begins to develop feelings for Anna (Ellen Dorrit Petersen), a female priest who also happens to be a single mother. To avoid complications and protect the sanctity of the new relationship, Jan silently vows to withhold information about his troubled past from Anna, but the past catches up with him in the form of Agnes, a schoolteacher who visits the church and recognizes Jan – as the man responsible for her young son’s death.Read More »

Synopsis
In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. “Bilder från lekstugan” (“Images from the Playground”) embark on these films, giving a diverse representation of one of the greatest artists in cinema.Read More »

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As you may know, Michael Haneke doesn’t make comfortable films; there was Funny Games, which I thought was almost physically painful to watch, and then he made The Piano Teacher, a shocking but compulsive experience starring Isabelle Huppert as a sexually repressed piano teacher who has a dysfunctional relationship with her mother. And the rest of the world. Time of the Wolf is disconcerting, although not quite in the same class as The Piano Teacher.Read More »