2000s

Synopsis
A lawyer who is killed in a car accident finds himself resurrected as a character in his daughter’s novel.Read More »

Asuza is a yakusa always dressed in white, a pure, yet tarnished man. A child from the streets, he saw his father assassinated by his older brother, and his mother commit suicide. These traumatizing events haunt him in the present. Asuza is now a member of a criminal group. He has been taken under the wing of the gang’s leader, his new adoptive father. When this second father figure is suddenly assassinated, Asuza plunges rapidly into an infernal revenge scheme. As he searches tirelessly for the killer, he discovers that once again, his older brother is the culprit. A confrontation is inevitable. When Asuza meets his brother face to face, he learns that behind every murder committed, lie motives more complex than they first appear.Read More »

“A riveting. all-elbows and knuckles documentary about the proto-punk warriors known as the MCS” – NY Times

“The film is a touching, detailed portrait of an important and often overlooked band” – SF Chronicle

Premise: This documentary examines the career of the Detroit rock group, the MC5 (1964-1972), a hard-edged rock band that emerged amidst the political turmoil of the late 1960s. As the band’s popularity grew, their chance at broader popularity was challenged by their ties to counterculture individuals like John Sinclair (leader of the left-wing revolutionary group, the White Panthers) whose presence made the band controversial targets for the police, government, FBI, etc. Establishing a fast, guitar-fueled loud rock sound that would influence the punk bands just a few years later, the MC5 eventually faded into obscurity, but they have maintained a cult following ever since.Read More »

Quote:

After witnessing a crime during his night shift as railway switchman near the docks, a man finds a briefcase full of money. While he and his family step up their living standards, others start looking for the disappeared case.

Sight and Sound wrote:

Béla Tarr’s latest film may initially appear to be his most conventional work to date, but the Hungarian director hasn’t softened his uncompromising worldview in ‘The Man from London’.By Michael Brooke

The extinction of the aesthetically and intellectually rigorous European art film has been predicted for so long (in the early 1980s, a Sight & Sound columnist called for the creation of a Society for the Protection of the Art Movie) that the mere fact of Hungarian auteur Béla Tarr continuing to direct films without making the smallest concession to popular fashion is a cause for celebration.Read More »

A quiet, epileptic taxidermist plans the perfect crime. All he needs is the right opportunity. An accident, perhaps…Read More »

Marina is a lonely woman with a menial job at a uniform business that unexpectedly awards her with an all-expenses-paid holiday at a beach resort for two. She’s been unable to find anyone to go with her when she comes across a man called Víctor in a chance encounter at a bakery. Víctor claims they went to school together, but although Marina doesn’t remember him, she impulsively invites him to join her on the trip. They decide to get to know each other better before going away, and a kind of relationship develops between two shy people who seem to have nothing in common except the holiday looming on the horizon…Read More »

Quote:
I am pretty sure Chagan Irmak was aware of the fact that the movie is completely different than what people was expecting. He is brave enough to discuss the issues like freedom of speech, military coups in his movies explicitly. But this time, he was indirect and he makes people to think. In most of the Turkish movies, it is a tradition to give the message in a direct way. But this makes Ulak special .. Irmak breaks those traditions. The photography, costumes are were great. Throughout the movie, I tried where/when the story takes place. What is their religion? I liked that disturbance in my mind. which make me to think and I enjoyed my mind trip!Read More »

In Christian Petzold’s carefully crafted reworking of the ‘Postman Always Rings Twice’ story set in a desolate region of northeastern Germany, Ali (Hilmi Sözer) is a shrewd, well-off immigrant from Turkey. He’s married to Laura (Petzold favourite Nina Hoss), an attractive German woman whom he rescued from a bad past, and owns a string of snack bars. Life is placid, if a little joyless, until Ali makes the mistake of hiring disreputable ex-soldier Thomas (Benno Fürmann) as his driver. From then on, things are placid only on the surface…Read More »

Quote:
Five sequences : 1) A piece of driftwood on the seashore, carried about by the waves 2) People walking on the seashore. The oldest ones stop by, look at the sea, then go away 3) Blurry shapes on a winter beach. A herd of dogs. A love story 4) A group of loud ducks cross the image, in one direction then the other 5) A pond, at night. Frogs improvising a concert. A storm, then the sunrise.Read More »