A series of interviews with Woody Allen interlaced with clips from his films.
IMDB review by Alex V.:
This feature-length Woody Allen interview sees him plough through his films at almost breakneck speed, giving little primers and insights into his intentions with each one. If you’ve seen the films it’ll interest you, if you haven’t I wonder whether these soundbites will entice you to check them out…Read More »
Kongo is writing a book on the subject of immigrants but while his editor wants a kind of traveler’s book in which ethnic exotic ingredients are offered to a European audience, Kongo has more ambitious ideas – he conceives of the idea of writing a book that follows the paths of Congolese history and its many ghosts. A brave and powerful film, made with single-mind integrity. Filmed mainly in the Congo, the film also provides a slice of life of the contemporary Congolese community in Brussels.Read More »
From filmaffinity.com
Today as tomorrow and as yesterday. Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. Their duty is to have sex and beat their customers without remorse. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages and rapes, injections and nausea all make up their daily routine. Yet their dream – even though they have been sterilized by the State – is to have a child. One day, one of their customers disappears. The interrogations begin.Read More »
Synopsis
A transient young man breaks into empty homes to partake of the vacationing residents’ lives for a few days.Read More »
Quote:
Near a windy, misty beach, Eric and David, two brothers in their twenties run a camping site. It covers several hectares on an eroded dune facing the sea. It is the end of the season, the site is empty, the days follow and all seem the same. Then one day Eric disappears. David goes looking for him…Read More »
In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the Revolution Studios in Damascus, Syria. They have never met each other because of the occupation of the area by Israel since 1967; when Mona moves to Syria, she will lose her undefined nationality and will never be allowed to return home. Mona’s father Hammed is a political activist pro-Syria that is on probation by the Israeli government. His older son Hatten married a Russian woman eight years ago and was banished from Majdal Shams by the religious leaders and his father. His brother Marwan is a wolf trader that lives in Italy. His sister Amal has two teenager daughters and has the intention to join the university, but her marriage with Amin is in crisis. When the family gathers for Mona’s wedding, an insane bureaucracy jeopardizes the ceremony.Read More »
Documentary about Danièle Huillet and Jean-Marie Straub. While Danièle Huillet and Jean-Marie Straub assemble the third version of “Sicilia!”, Pedro Costa films a “reassembly comedy.” Behind their patience at work, tender and violent, the two filmmakers reveal a certain idea of the cinema, their cinema and their married life. Pedro Costa takes us to the center of his own cinema, in a unique space-time trip, and offers cinephiles the most beautiful gift he can dream of: participating in the interior, in the act of cinematic creation.
Read More »
This is the first of a series of two documentaries concerning the way the cinema industry is not respecting the author works as they were conceived, in the many ways this can be done. This first documentary is dedicated to technical ways that industry implements thinking to be an improvement to make better public oriented movies, but what’s really happening is that these works are being sadly manipulated.Read More »
The documentary “Film noir: Bringing darkness to light,” completed in 2006 and produced and directed by Gary Leva, is far superior to any of the film-noir documentaries available on public-domain collections of film noir for several reasons: (1) At 68 min., the subject is treated in depth. (2) The B&W clips from films as well as the interviews in color and color film posters are of excellent quality. (3) The clips, some from rarely seen films, are precise selections, unlike the fuzzy, often lengthy trailers included in previous noir documentaries. (4) Read More »