2000s

Quote:
A Russian town where people are waiting at a bus stop. We get to know some of them from fragments of their conversations.Read More »

Love and injury in time of war. Attilio de Giovanni teaches poetry in Italy. He has a romantic soul, and women love him. But he is in love with Vittoria, and the love is unrequited. Every night he dreams of marrying her, in his boxer shorts and t-shirt, as Tom Waits sings. Vittoria travels to Iraq with her friend, Fuad, a poet; they are there with the second Gulf War breaks out. Vittoria is injured. Attilio must get to her side, and then, as war rages around him, he must find her the medical care she needs. In war, does love conquer all?Read More »

The troubled friendship and occasional rivalry between two of England’s greatest poets, Samuel Taylor Coleridge and William Wordsworth, is explored in an unorthodox light in this historical drama from renegade director Julian Temple.

As Coleridge (Linus Roache), Wordsworth (John Hannah), and Lord Byron (Guy Lankester) await the news of who will be Great Britain’s new poet laureate in 1816, Coleridge finds himself thinking back to 1795, when he and Wordsworth were two struggling writers involved in radical politics.Read More »

IMDB:
An unemployed hairdresser and a strange nurse, meet at a club and start a romance. Since meeting her, the young man encounters unexplained things which she says are spirits she can see. They run into people apparently under attack by ghosts and unexplainable deaths to the point that he wants to call off the relationship. The morbidly quirky mystery unravels as they track down details of the decades old death of a loan shark.Read More »

Quote:
In the palm-shaded oasis of West Hollywood, we meet Dennis, a promising photographer. As he prepares to celebrate his twenty-eighth birthday, he laments, ‘ I can’t decide if my friends are the best or worst thing that ever happened to me.’ The gang includes Benji, the punkish innocent with a penchant for gym bodies; Howie, the psychology grad student who thinks too much and lives too little; Cole, the charismatic actor who accidentally keeps stealing everybody’s guy; Patrick, the cynical quipster, and Taylor, resident drama queen, who, until recently, prided himself on his long-term relationship. Providing sage advice and steady work is Jack, the beloved patriarch whose restaurant is a haven for them all. When tragedy strikes the group, the friendships are put to the test.Read More »

Two men meet in downtown Bogotá; one is missing a leg, the other is a “silletero,” a man who carries people around for money. Each character bears the burden of a bitter past life.Read More »

Quote:
Structured in elegantly fluid and elliptically interconnected episodes from a roving, multiple student point-of-view, Elephant is an incisive and poetic, yet relevant and deeply disturbing portrait of the unfolding of a fictional, modern-day high school massacre in suburban America. Van Sant presents a richly textured and complexly interwoven series of mundane student interactions and astute slice-of-life observations (except for a scene of sexual experimentation between the plotters that seems improbably out of character) that are intrinsically linked together through long and sinuous tracking shots of the school’s cold and impersonal labyrinthine corridors and rooms. Inevitably, what emerges is a profound sense of alienation and the oppressive, inescapable, and moribund institutionalization of its adrift and desperate characters.Read More »

A truly unsettling, visually inventive, stylistically thrilling and quite marvellous diamond in the rough. Woodenhead takes the traditional fairy tale and reprocesses it through the minds of filmmakers like Canadian master of the peculiar Guy Maddin and animators of the arcane, the Quay Brothers. Incredibly, all of the dialogue and location sound for Woodenhead was completed first and the images shot to fit a crazed reversal of accepted practice.Read More »

Quote:
Thomas Harlan, filmmaker, author and revolutionary was born in 1929 in Germany. His father was the infamous propaganda filmmaker Veit Harlan, director of Jew Suess. During his childhood, as a result of his father’s closeness to the Nazi Party, the little Thomas came face to face with Hitler and Goebbels. Now an old frail man, Harlan lives in a respiratory clinic in Berchtesgaden. It is in this clinic in South Germany that he, along with documentary filmmaker Christoph Hübner, examines fragments of his past.Read More »