2000s

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Young people, a medical student and a wardrobe maker are trying to be together. The boy hesitates about what his vocation is. He will go through various initiations before deciding whether to become a doctor and husband or a priest. A meeting with an old doctor will turn out to be crucial.

As the title suggests, “The Supplement” is a complement to the film “Life as a Sexually Transmitted Disease” (2000) by Krzysztof Zanussi. The author develops the plot of the young characters, which runs parallel and intersects with the story of the old doctor’s death. Compositionally, the film is a montage of scenes from the previous film with new scenes and fragments of Zanussi’s youthful “Illumination” (1972) by Zanussi, which Filip watches on television. The film won the FIPRESCI Award at the Moscow International Film Festival (2002).Read More »

Synopsis
Perrone returns with a new exploration of his quintessential aesthetic territory, Ituzaingó. This time the night in the western city exudes cinema and theatre. Actors, actresses, directors and producers parade like daffodils from the underworld in a world of jealousy, hypocrisy, idiocy and much more.
(FILMAFFINITY)Read More »

For Nina, her husband Frieder, and their daughter Charlotte, a new house in a new town could mean the beginning of a phase of domestic bliss. But Nina is having her doubts; she stands about in the half-empty rooms, feeling thoroughly alienated. Suddenly, without saying a word, she decides to leave.Read More »

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Directed by the Japanese king of kooky-cool, SABU, Hold Up Down has it all: bank robbers dressed in skin-tight Santa suits, the subway busker that looks like he is straight out of Woodstock, the suicidal church minister-turned-truck driver, a couple of twisted policemen – oh, and a key to a whole lotta cash.
SABU exploded on the Japanese film scene in 1986, first as an actor and later, taking a more firm role behind the camera as both director and scriptwriter with the acclaimed Dangan Runner in 1995. Hold Up Down is SABU’s second collaboration with all-male J-pop group V6 (they first starred in his previous Hard Luck Hero), which serves as a gentle reminder that, in Asia, pop stars who also act can find their CD sales actually increase (as opposed to the norm in this part of the world which seems to have the opposite effect)..Read More »

synopsis:
Kenichi Asakura is an uptight, hyper-square salesman. One day, three bank robbers
commandeer his van. They are in hot pursuit of their fellow robber who has snatched the
money. Unfortunately for the bank robbers, Asakura never drives over 40 km/h speed limit
even under the extreme situation.Read More »

Synopsis
The soundtrack to a radio soap opera set in a luxury hotel is acted out by characters who are riding a ramshackle bus from Bangkok to a small town in Thailand’s Northeast. When the bus stops, the drama in the characters’ real lives can be seen. In different cirumstances, it’s not hard to imagine the characters – a young small-town girl (glamorous model), an older woman (hi-so boutique owner), an illegal Burmese immigrant (hotel waitress), half-Thai backpacker (handsome hotel owner), soldier (ladyboy hostess) and dodgy businessman (dodgy businessman) – assuming the lives of their larger-than-life soap opera alter egosRead More »

At thirty-seven, Miri is a twice-widowed, El Al flight attendant. Her well-regulated existence is suddenly turned upside down by an abandoned Chinese boy whose migrant-worker mother has been summarily deported from Israel. The film is a touching comic-drama in which two human beings — as different from each other as Tel Aviv is from Beijing — accompany each other on a remarkable journey, one that takes them both back to a meaningful life.Read More »

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A Tom Tom Chaser is Jacobs’ 2002 poetic riff on the transformation of his classic film Tom Tom the Piper’s Son from chemical to electronic form during the telecine process.Read More »

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“Jolting in every sense of the word, this short masterwork flickers between stereographic cards depicting Victorian-era child laborers, creating a portrait of standardized horrors, endlessly reproduced.” —MoMARead More »